01. Universidade Federal Rural de Pernambuco - UFRPE (Sede)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/1
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Resultados da Pesquisa
Item A arte de uma margem distante: O “Festival de Artes Pão e Tinta” na favela do Pina (2015 – 2022)(2024-03-08) Freitas, Emmanuel Vitor Brito de Souza; Silva, Fabiana de Fátima Bruce da; http://lattes.cnpq.br/1540421518242292; http://lattes.cnpq.br/1984180238291088The International Bread and Paint Arts Festival has been held annually since 2012 in the Pina Favela, in Recife, Pernambuco. The event opens a public selection every year to welcome graffiti artists, musicians, and volunteers who typically engage for five days in a kind of "arts carnival," featuring street graffiti, concerts, and social actions such as hairdressing, braiding, and turban tying, among others. As an independent cultural production, it was conceived as an alternative for the youth of Pina, working on the revitalization of public spaces in the community, thus becoming our main tool in defense of our territory, threatened by real estate speculation. Art emerges from one of Recife's most neglected areas by the government and breaks through the statistics as an alternative for young people to envision a future away from violence, drugs, and crime. With this article, we aim to construct an experiential narrative that problematizes and questions the importance of this activity within a reality of exclusive public institutionalization of artistic/cultural spaces only in the elitized areas of Recife City, demonstrating that peripheral organizations already fulfill this role, addressing this deficit with little or no resources.Item As artes do desenho e da pintura na Olinda colonial: os artífices jesuítas e suas obras. (1551-1759)(2020-10-26) Patriota, Paulo José Falcão; Leite, Bruno Martins Boto; http://lattes.cnpq.br/3005775363936476; http://lattes.cnpq.br/7683702803374338This work investigated the brothers of the Society of Jesus who were in charge of painting, sculpture and other crafts related to the art of drawing - such as carpenters, gilders and carvers, residents and workers at the Real Colégio Jesuíta de Olinda and their possible art workshop, between the 16th and 18th centuries. Initially, we understand the main problems and discussions regarding the concept of Baroque and its multiple uses for European and Brazilian historiography, with pictorial arts being our focus. Then, assisted by the extensive work of the historian Serafim Leite and by the Triennial Catalogs of the Company of Jesus, we carried out a prosopographic survey of Ignatian artisans and their works.