TCC - Licenciatura em História (Sede)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/460
Navegar
13 resultados
Resultados da Pesquisa
Item O cuscuz na culinária recifense: perfil de consumo e sua inserção na gastronomia de Recife(2024-10-01) Silva, Nikolle Miguel da; Correia, Bruno Celso Vilela; http://lattes.cnpq.br/2359425137602779Item Os objetos utilitários de cozinha e mesa posta no Recife oitocentista: a cerâmica como modelagem da cultura(2024-09-27) Moura, Dayane Gomes de; Luna, Suely Cristina Albuquerque de; http://lattes.cnpq.br/4941715690112297; http://lattes.cnpq.br/0346614970748528Este trabajo monográfico explica los usos de la cerámica utilitaria para cocinas y mesas en el Recife del siglo XIX. De esta manera, buscamos comprender los cambios sociales y estructurales en la ciudad de Recife imbuidos de la perspectiva modernizadora. Así como las relaciones que se establecen entre el Sitio Histórico del Pilar y los fragmentos encontrados - con énfasis en la cerâmica - y finalmente, cómo el arte y el patrimonio son construcciones sociales. Se pretende comprender la relación que se establece entre los objetos cerámicos y la vida cotidiana decimonónica, examinando el que se puso sobre la ciudad, para luego analizar los fragmentos - reconstruyéndolos si es necesario - y el consumo de objetos cerámicos entre los grupos sociales en el siglo analizado. Para alcanzar estos objetivos se utilizaron como métodos los enfoques cualitativo -materialidad, cuantitativo - recurrencia en el sitio arqueológico y comparativo - cultura cerâmica versus sus usuarios. Los resultados, a su vez, revelaron la presencia plural de objetos cerámicos, destacando cacerolas, cuencos y jarrones. Dados los resultados, podemos concluir que el arte cerámico es amplio y que el registro arqueológico revela facetas de experiencias sociales tanto de los antiguos residentes del Pilar, como en la propia Recife.Item O vício degradante do coração do homem: arqueologia e o consumo de bebidas alcoólicas no Recife oitocentista(2024-02-29) Sampaio, Anthony Vinícius Souza; Luna, Cristina Albuquerque de; http://lattes.cnpq.br/4941715690112297; http://lattes.cnpq.br/2140646935718545Item O movimento abolicionista na cidade do Recife: atividades legais e extralegais entre os anos de 1884 a 1888(2024-02-22) Paz, Julyany Sarah do Nascimento; Santos, Maria Emília Vasconcelos dos; http://lattes.cnpq.br/4794117737260000; http://lattes.cnpq.br/0911540409143559This article aims to bring the history of the abolitionist movement in the City of Recife, emphasizing the legal and illegal actions that enabled the liberation of several enslaved people in the 1880s. The narrative construction of the work will be based on simple and direct language, making it accessible not only to the academic public, but to the most varied readers who are interested in the topic. On May 13, 1888, Brazil was the last country in America to abolish slavery. This condition was not the result of the State's benevolence, but rather of intense social pressure that came from the abolitionist movement and the slave resistance itself. In Pernambuco, anti-slavery corporations were responsible for promoting various legal and extralegal actions for the cause of abolition. Transitioning between legality and illegality, abolitionists in the city of Recife made it possible to release several captives throughout the 19th century, mainly between the years 1884 and 1888. In the long term, the actions of the abolitionist movement took on a large proportion, and was fundamental for Abolition to be achieved in the country.Item Festejos e controle social: os bailes carnavalescos no Teatro de Santa Isabel (Recife, 1850 - 1855)(2023-04-28) Barros, Rayane Nathaline Dias de; Silva, Wellington Barbosa da; http://lattes.cnpq.br/1213688229016782; http://lattes.cnpq.br/7100858196009882This work arises with the purpose of analyzing the practices of nineteenth-century carnival manifestations that took place in the city of Recife, specifically within the Teatro de Santa Isabel, between the years 1850 - 1855, and how the propagation of these festivities makes it possible to understand the performance of some mechanisms of social control of the society of the time. The choice of time frame is justified by the inauguration of Teatro Santa Isabel – as a symbol of civilization for Recife society at the time, aiming to analyze the propagation of carnival balls promoted within this private space, to the detriment of Carnival manifestations. Based on the analysis of cultural manifestations, we can understand the systematization of the controlling power of the ruling class in Recife in the 19th century, as well as analyze how the instruments of communication play an important role in the construction of a civilizing ideal, which tend to marginalize the manifestations of most popular stratum of the city of Recife in the 19th century (1850 - 1855). It is in this scenario of disputes for spaces of sociability in the capital of Pernambuco, that we will investigate the attempt to build a national identity, which seeks to break with some cultural manifestations that do not meet the civilizing progress that fosters the ideals of a slave-owning elite.Item Descompassos no carnaval de rua do Recife na década de 1930: o caso do Quartel General do Frevo(2021-12-09) Barros, Gleicielly Maria Pereira de; Albuquerque, Mariana Zerbone Alves de; http://lattes.cnpq.br/8419255160811830; http://lattes.cnpq.br/3623672413182978Knowing that there is a narrative about how Carnival is a democratic party, as well as representative of a time where social segregation is not a reality, this article seeks to comprehend it as a cultural manifestation in 1930's Recife, observing the inequalities and social tensions inserted in the city's street carnival. It was necessary to understand the genesis of the party in Recife, it's development and the appearance of Frevo as a locally typical expression of carnival; while also studying it's occurrence in public spaces. Nevertheless, the conflicts that took place on Frevo Headquarters, located at Independence Square, were analysed, in a representative way as to the political scenario in the 1930's modern city. The methodology includes bibliographical revision from secondary reference fonts about Recife's carnival.Item Da moralidade à transgressão: a moda feminina na cidade do Recife entre os anos 1916 a 1920(2021-02-24) Lima, Thays de Souza; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/3891718129870477This work aims to analyze how the novelties present in Recife's fashion, between 1916 and 1920, are opposed to the traditional models of gender and pattern of the ideal woman, representing both a break in customs and a tool of female transgression. The choice of the time cut is justified by the novelties presented with the Casa Gondim parade, which took place in 1916, in addition to the changes in fashion in the early post-war years that preceded the so-called "golden years". For this, the methodology was composed by bibliographic research and analysis of primary sources, to identify the elements that contributed to the insertion of new practices in society. Based on this, we investigated how the spatial changes and innovations in socialization practices, as well as their influence on the importation and use of new fashion trends, represented a threat to the model of morality that governed the Recife society in the period, reflecting on the representation of the Northeastern male and the figure of the woman of good family. The theoretical reference presented throughout this work helped us in the analysis of the relationship between fashion and the symbolic construction of gender from a binary perspective. The concepts of habitus, distinction, and field in Pierre Bourdieu, contributed to the understanding of fashion as a cultural practice, perceiving its use as a device of symbolic power, to reaffirm roles and characteristics expected in the relational binary between female and male. The concept of gender developed by Joan Scott allowed us to think of the conception of femininity as a historical category, which varies according to the context and power relations of the period. In this way, the transgressions present in the feminine fashion, in the temporal cut of this research, have outlined new ways of "being a woman", showing that fashion, as a cultural practice, can be used both as a tool for body discipline and as a discourse that denaturalizes the moral and biological ideals attributed to the feminine.Item Perseguição às religiões de matriz africana no Recife: a imprensa e seu poder de influência (1937 - 1945)(2021-07-13) Carneiro, Jonas Durval; Silva, Marcília Gama da; http://lattes.cnpq.br/0090863442089957; http://lattes.cnpq.br/4398740179310707The present work aims to analyze the persecution of religions of African origin in Recife during the New State based on representations constructed by the press. To this end, fieldwork was carried out that favored an analysis methodology, and the production of a survey in some newspapers of great circulation in the city between the period 1937 to 1945. The survey in the city newspapers provided the knowledge of information about the presence of these religions in the city, highlighting the evidence that points to the existence of persecution by the local government at the same time corroborated through the influence that the press had at the time.Item “O discurso soletrado no feminino”: o engajamento de mulheres no movimento abolicionista na cidade do Recife (1884-1888)(2020-10-28) Leandro, Jacilene de Lima; Santos, Maria Emília Vasconcelos dos; http://lattes.cnpq.br/4794117737260000; http://lattes.cnpq.br/1191090766187082This work aims to analyze the female participation in the abolitionist movement in the city of Recife, between the years 1884 and 1888. For this, we investigated how abolitionism used public spaces in order to attract the adhesion of various social groups, thus changing the forms political participation. With newspapers of the time and historiographical studies, we analyzed how this process made possible the insertion of female militants, emphasizing the relevance of this participation in the associations created in the context after March 25, 1884, when the abolition of slave labor in Ceará is consummated. In the capital of Pernambuco, we highlight the activities of the female society Ave Libertas, which was created and composed only by women. We brought here some documents left by the members of this female group and journalistic publications related to the activists, which we investigated in order to explain the ways in which the female activists act. From the analysis of these records, we found that female engagement provided a greater discussion about the political skills of women in the 19th century, thus breaking social rules constructed by the expectations of gender roles. Therefore, the investigation uses gender as a category of historical analysis, in addition to the precepts of Social History and microanalysis, observing through the concept of historical experience, the characteristics of different social groups and making interpretations about social and historical changes. In this sense, we verify how the activists for the abolitionist cause collaborated with the studied social movement, contributing in a primordial way to the political changes effected at the end of the empire.Item Os “Meninos do Recife”: o olhar de Abelardo da Hora sobre o abandono de crianças e adolescentes (1960-1962)(2021-12-17) Silva, Emmanoel Alexandre da; Miranda, Humberto da Silva; http://lattes.cnpq.br/1254987493556824; http://lattes.cnpq.br/8320982234183889This paper aims to discuss the setbacks between the legal discourses of the Child Assistance Service (SAM) about abandoned and destitute children and the scenario of social vulnerability and violence experienced by children and adolescents, between 1960 and 1962, in the city from Recife. In a theoretical-methodological way, the work adopts the perspective of children and adolescents as historical. Therefore, in the first chapters, the work started from the historical contextualization of the creation of the Service and identified its internal problems and its goals of discipline and control, based on Foucault's studies. Then, in the third chapter, explained both the violent and repressive way that the SAM applied in Recife, using material from the Diário de Pernambuco, published throughout January 1960, which denounce the hospitalization of a teenager done in such a way. abusive and inappropriate. As well as, in the last chapter, based on the trajectory of Abelardo da Hora as an engaged artist and his artistic production as a social denunciation, he exposed the scenario of vulnerability that children and adolescents suffered from the analysis of engraving 22, from the Meninos do Recife series (1962), by the plastic artist. In this chapter, the theoretical and methodological aspects of the use of art in History, the conceptualization of intellectual being, the role of the artist in society, engaged and militant art, among others, will be deepened. In this way, the work intends to contribute to the historiography of childhoods so that children and adolescents can be considered as autonomous and protagonists of their own history. It also presents itself as relevant and innovative when identifying as setbacks between legislation and as different social realities of Recife from alternative and artistic sources, highlighting the importance of aesthetic-political education (GOMES, 2019) in the construction of historical awareness, leading to not only rationality counts, but also subjectivity, thus building a more humanized and less exclusive historiographical modus operandi.