01. Universidade Federal Rural de Pernambuco - UFRPE (Sede)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/1
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2 resultados
Resultados da Pesquisa
Item “Becos da resistência”: uma análise historiográfica sobre Conceição Evaristo e Kmila CDD(2019-12-17) Paraiso, Diana Bárbara do Nascimento; Dantas, Mariana Albuquerque; http://lattes.cnpq.br/5957556943043849This work has the objective to do a comparative analysis between Conceição Evaristo’s book “becos da memória” and the Kmilla CDD’s EP “Preta Cabulosa”, black women, presenting in lyricism strongly representing discourses of afro-Brazilian memory, from the oral and musical rescue. Both born in the peripheral of large urban centers, Belo Horizonte e Rio de Janeiro, carry in their experiences and, consequently, in their musical production, collective memory. Moreover, It is intended to point out the absence of the use of rap lyrics and songs in the teaching of history in schools. Thus, it is sought as the theories that encompass cultural history in Brazil, highly widespread from the 1980s, to aggregate the subjectivities, new approaches and new objects, expanding the History writing of Water Benjamin, E.P. Thompson, Margareth Rago and others, influenced the historiographic rescue of these authors who use different languages, the literature and rap music, respectively, contributing to the protagonization of memories generall silenced in national history, both at the university and in other formal and non-formal spaces of education.Item Hip hop: a contribuição dos rappers evangélicos da cidade de Recife-PE na ressignificação do sagrado e do profano(2018) Bezerra, Erasmo Ribeiro; Silva, Maria Auxiliadora Gonçalves da; Aquino, Rosa Maria de; http://lattes.cnpq.br/7663893470581900; http://lattes.cnpq.br/1540473468896261; http://lattes.cnpq.br/0344988958733571The evangelical religious field has been presenting significant changes in this postmodern world and with this the understanding about the sacred and the profane adapts according to the religious demand of the different evangelical trends. Within this context, evangelical music underwent several transformations so that, as time passed, it became increasingly heterogeneous. This work sought to understand how and when hip-hop culture was assimilated by the evangelical field in the city of Recife - PE, breaking with the borders between the sacred and the profane, in order to convert young people. The subjects of the research were three rappers from Recife. The qualitative methodology was applied with recorded interviews and non-participant observation of the artistic performances by the three artists. After analyzing the history and characteristics of the re-signified hip-hop, that was renamed as gospel hip-hop, as well as after studying its relationship with the sacred and the secular spaces, we concluded that the sacralization of this musical genre was more successful among the young audiences of less conservative churches and it was made possible by the role of some evangelical churches and the religious consumer market that sought to legitimize hip-hop for religious purposes. Yet, this process has faced resistance and is still being resisted by many of the more conservative evangelicals.