Licenciatura em Letras (UAST)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2943
Siglas das Coleções:
APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso
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5 resultados
Resultados da Pesquisa
Item O empoderamento da mulher na obra Hibísco Roxo(2019) Santana, Carla Drielly Costa; Santana, Paula Manuella Silva de; http://lattes.cnpq.br/2674194888709803; http://lattes.cnpq.br/8671073590176842Chimamanda Ngozi Adichie is a Nigerian author of a new generation of writers who is writing about a Nigerian diaspora and allows us to know the history of Africa through the eyes of her own people, who once saw themselves through a rudimentation through colonial system systems. A purple Hibiscus work brings to the scene or breaking the borders of patriarchal space by projecting a space of resistance in the work. The theoretical thinking of the various feminisms: Western and Afrocentric, cultural and postcolonial studies are used for the analysis of the characters Kambili, Amaka, Beatrice and Ifeoma. Among the theorists used to build this work we highlight Edward Said, Frantz Fanon, Stuart Hall, Gayatri Spivak, Lúcia Zolin, Lioyd Brown and Chimamanda Adichie. Here, we seek to reflect, investigate and understand what are the marks left by colonization, as imposed forms of oppression and how the codification process takes place against the oppressions of gender, class and race suffered by them. From this perspective, the Adichie seeks to exhibit a Nigerian woman and the difficulties faced by them, highlighting a relationship with society, family, marriage, without a postcolonial period.Item Devaneios, mitos e simbologias em a terceira margem do rio(2019) Nunes, Dinamérica Souza; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/9744453889452116The work has the goal to study the perspective of the daydreams, myths and symbologies present in the story "A Terceira Margem do Rio", from João Guimarães, whom the author, leave all perplexed and will live in a canoe within the river. This father's attitude trigger off all the whole familiar structure over time all the family members by his side giving a course to life, except the eldest son who remains until the end of his days, seeking an answer to the father's attitude and blaming himself about something that he even doesn't know what it is about and living in his father shadow on the edge of the river. In analyzing the above, we are faced with aspects that refer to some myths, just as it also makes us symbolize representations by various elements deferred throughout the narrative. Another aspect that is present in this work is the daydreams on which the observers according to Bachelard (1988) are applicable. Some myths such as Charon, the archetype of the great father among others are also observed in this work. This approach about the myths will be based for students in the area a example of Eliade (1972) with regards to the simbologias found in the story supported by Scárdua (2008) opinion. In all this search it was possible to observe the Rosa's story could take the man to a new life perspective in a subliminal landing.Item Entre Emily Brontë e Wuthering Heights: a escrita feminina como libertação dos entraves sociais(2019) Santos, Clara Batista dos; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/4570346408873450This paper has as objective to approach the novel "Wuthering Heights"(1847), by Emily Brontë, according the historic context it is inserted, especially the woman's position in the Victorian Era. For this purpose, we will look into the female characters of the novel, understanding their construction from the lived experiences by the author. We will discuss how Emily Brontë turns a timeless author and breaks with the puritans standards and values, mainly because her writing is intense and her female characters show unconventional attitudes, but even so no leave to be victims of the social convention, in an age that the woman is not given opportunities and her in turn lived in the shadow of the male figure. This way, the objective of this paper is understand the writing of Emily Brontë from her experiences and how Wuthering Heights turns an outsourcing of everything that her and the others women lived being immersed in the patriarcharlism. For this, we will seek to understand the oppressions suffered by Victorian women. We will analyze how dark this time was for those who often had to live in anonymity, especially writer woman. To this paper, we used Callaghan (2018), Iwami (2016); Virginia Woolf (2014), (2014) e (2013); Daise Dias, (2012), (2011) e (2011); Klinger (2006); Wengelin (2005); Zolin (2005); Neto (2014); Foucault (2001); e Bataille (1989); By this theorists we will go into the life and work of Emily Brontë to analyze the social relations that permeate theirselves.Item Templo de muitos deuses: estratégias de sobrevivência femininaao colonialismo e patriarcado(2019) Lima, Renata Feitosa de; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/7261048763565372This search is a study that analyzes, from the experiences of the protagonistsin the book O Alegre Canto da Perdiz, by Paulina Chiziane (2008), the vision of threegenerations of women who were: before colonization (Serafina), during (Delfina) andafter (Maria das Dores). Thereunto, we consider, mainly, studies of BONNICI (2012)on postcolonial theory, ADEDEJI (2007) to talk about feminisms and issues ofgender, and DUARTE (2013) with work on survival strategies from the dissimulation,that are some of the authors discussed. These three women are grandmother-mother-daughter, who in the course of the novel tell a little of their stories. Serafinarecalls in many passages the rites practiced by her people, the beauty of thelandscape, the language, the culture that is her, trying to keep a link with your originsto remain as subject by the continuity of its traditions and customs. The most strikingvoice in the novel of the colonization period in Zambezia is the Delfina's voice, thedaughter of Serafina, a woman very eroticized by men. Delfina, all the times,demands from her husband - white and black - to cover her even more with jewels,because in her mind that jewels seem to make her a white woman. Sold by hermother, raped by the man who said to be her husband and lost in hallucinations,Maria das Dores suffers as a result of colonization and mother's choices. Thesurvival, in the colonialism and patriarchy, are the motives for the most part of theactions of these characters.Item "Quem conta um conto aumenta um ponto", a construção da personagem Capitu na narração de Bento Santiago em Dom Casmurro(2019) Santos, Emanoela Carolaine Silva; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/5038462090721506This study made possible to understand the relationships of genres rooted in the patriarchal system within Dom Casmurro, once, the narrative takes place at the end of the nineteenth century. This romance is narrated in first person by Bento Santiago. In this way, it was necessary to analyze the role of women, taking as a bases Capitu’s efacets presented by Bentinho. These facets pass between her Oblique and disguised configuration, which it builds Capitu sometimes like an angel and sometimes like an “empowered” woman that it makes her like a trouble in the patriarchal order. Thus, it was necessary to verify the social and familiar place this narrator occupy in this work, that this, from where and how your voice comes from, how it’s built and passed the perception about Capitu. The narrator’s speech starts from a place that evidences him as a culturist in the patriarcal way tha silences the women, as well as the Capitu character. Moreover, it was possible to identify the relations between the constituent discourse of literature, the power and the patriarchalism, forming a web that subalternizes the female figures, since they are about the unique perspective of the owner and lord of the narrative. For this, the research was bibliographical. In order to reach the goal we searched for basic studies such as Dominique Maingueneau (2006), Mikhail Bakhtin (2002), Spivak (2010), Alfredo Bosi (1992), John Gledson (1991), Mariza Corrêa (1981), John Kenneth Galbraith (1999), Michel Foucault (2007, 2008), Ruth Silviano Brandão (2006) and Robert Schwarz (1991) Rosemarie Muraro (2015), and others. From the analysis it was possible to observe concepts and considerations about the patriarchalism and the Bento Santiago’s discursive strategies with the purpose that the narrator puts himself. This study is divided by three parts, on the first one we try to understand how patriarchalism and its relations of power are configured. After, we make a position breviary of a brazilian woman and we know some of the machadians women. Finishing this work, we try to understand how the literary discourse is revealed and how Bentinho builds this speech about Capitu. Therefore, the figure of Capitu is subalternized for this discourse of Bento, that places her as a seductive devil who crash like the angel woman that society so much idealizes.