01.1 - Graduação (Sede)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2
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34 resultados
Resultados da Pesquisa
Item O cuscuz na culinária recifense: perfil de consumo e sua inserção na gastronomia de Recife(2024-10-01) Silva, Nikolle Miguel da; Correia, Bruno Celso Vilela; http://lattes.cnpq.br/2359425137602779Item Os objetos utilitários de cozinha e mesa posta no Recife oitocentista: a cerâmica como modelagem da cultura(2024-09-27) Moura, Dayane Gomes de; Luna, Suely Cristina Albuquerque de; http://lattes.cnpq.br/4941715690112297; http://lattes.cnpq.br/0346614970748528Este trabajo monográfico explica los usos de la cerámica utilitaria para cocinas y mesas en el Recife del siglo XIX. De esta manera, buscamos comprender los cambios sociales y estructurales en la ciudad de Recife imbuidos de la perspectiva modernizadora. Así como las relaciones que se establecen entre el Sitio Histórico del Pilar y los fragmentos encontrados - con énfasis en la cerâmica - y finalmente, cómo el arte y el patrimonio son construcciones sociales. Se pretende comprender la relación que se establece entre los objetos cerámicos y la vida cotidiana decimonónica, examinando el que se puso sobre la ciudad, para luego analizar los fragmentos - reconstruyéndolos si es necesario - y el consumo de objetos cerámicos entre los grupos sociales en el siglo analizado. Para alcanzar estos objetivos se utilizaron como métodos los enfoques cualitativo -materialidad, cuantitativo - recurrencia en el sitio arqueológico y comparativo - cultura cerâmica versus sus usuarios. Los resultados, a su vez, revelaron la presencia plural de objetos cerámicos, destacando cacerolas, cuencos y jarrones. Dados los resultados, podemos concluir que el arte cerámico es amplio y que el registro arqueológico revela facetas de experiencias sociales tanto de los antiguos residentes del Pilar, como en la propia Recife.Item A influência da colonialidade nas vidas vividas na cidade do Recife: reflexões sobre consumo e cotidiano de estudantes universitários da UFRPE(2024-03-08) Melo, Ana Carolina da Silva; Fernandes, Raquel de Aragão Uchôa; http://lattes.cnpq.br/9733983138830524; http://lattes.cnpq.br/7271561235870981Item O vício degradante do coração do homem: arqueologia e o consumo de bebidas alcoólicas no Recife oitocentista(2024-02-29) Sampaio, Anthony Vinícius Souza; Luna, Cristina Albuquerque de; http://lattes.cnpq.br/4941715690112297; http://lattes.cnpq.br/2140646935718545Item O movimento abolicionista na cidade do Recife: atividades legais e extralegais entre os anos de 1884 a 1888(2024-02-22) Paz, Julyany Sarah do Nascimento; Santos, Maria Emília Vasconcelos dos; http://lattes.cnpq.br/4794117737260000; http://lattes.cnpq.br/0911540409143559This article aims to bring the history of the abolitionist movement in the City of Recife, emphasizing the legal and illegal actions that enabled the liberation of several enslaved people in the 1880s. The narrative construction of the work will be based on simple and direct language, making it accessible not only to the academic public, but to the most varied readers who are interested in the topic. On May 13, 1888, Brazil was the last country in America to abolish slavery. This condition was not the result of the State's benevolence, but rather of intense social pressure that came from the abolitionist movement and the slave resistance itself. In Pernambuco, anti-slavery corporations were responsible for promoting various legal and extralegal actions for the cause of abolition. Transitioning between legality and illegality, abolitionists in the city of Recife made it possible to release several captives throughout the 19th century, mainly between the years 1884 and 1888. In the long term, the actions of the abolitionist movement took on a large proportion, and was fundamental for Abolition to be achieved in the country.Item A luta abolicionista em atas do Club Cupim: uma análise dessa tradição discursiva na segunda metade do século XIX(2023-09-04) Lima, Cristiane Alves de; Gomes, Valéria Severina; http://lattes.cnpq.br/8893406062883304; http://lattes.cnpq.br/8014778569799145Circuladas en situaciones de comunicación oficial y con valor legal, las actas eran el medio de comunicación y registro interno de las deliberaciones entre los miembros del Club Cupim, una secreta asociación abolicionista fundada por João Ramos, el “ceará”, activa en Recife entre 1884 y 1888. El objetivo de este estúdio es el análisis de la dimensión compositiva y los modos de decir, verificación de las dimensiones temáticas y análisis de los modos de decir subversivos en las actas del Club Cupim en el contexto de la lucha abolicionista en la segunda mitad. del siglo XIX en Recife. El corpus consta de 10 actas manuscritas realizadas entre 1884 y 1885 por los secretarios Robespierre, Alfredo Pinto Vieira de Melo y Antonio Faria, en ese orden. El marco teórico que conduce este estudio se basa en el modelo de Tradición Discursiva propuesto por (Kabatek, 2005; 2006; Koch y Oesterreicher, 2013; Castilho, Andrade y Gomes, 2018; Shibya, 2020). Los resultados indican que, si las actas del Club Cupim tienen realizaciones fijas en los modos de componer y decir, es a través del lenguaje que se constituye la fijeza, sin embargo, agregando cambios contextuales que permiten la comprensión Del momento de la enunciación.Item Levantamento e classificação da toxicidade das plantas ornamentais presentes nos parques urbanos de Recife - Pernambuco(2023-05-02) Zelaquett, Danilo de Souza; Brasileiro, Hélida Maria de Lima Maranhão; http://lattes.cnpq.br/4735569144086617; http://lattes.cnpq.br/2587653841058709The presence of green areas in urban centers is essential for the well-being of the population, but many ornamental plants can be toxic. The toxic agents of plants are linked to their secondary metabolism such as oxalates, saponins, alkaloids, glycosides and terpenes. Although the number of cases of plant poisoning is small, children are the most expected. The objective of this study was to carry out a survey of toxic ornamental plants present in 07 urban parks in Recife, capital of Pernambuco, and classify them according to their degree of toxicity. For this, instruments were used to collect information and record images, taxonomic identification, classification of the degree of toxicity, description of the part of the plant related to poisoning and prevalent toxic metabolites. In the parks, 29 species of toxic ornamental plants were identified, belonging to 12 botanical families, of which species from the families Apocynaceae, Araceae and Euphorbiaceae totaled 52%. The species Mangifera indica, Sansevieria trifasciata, Plumeria rubra and Thaumatophyllum bipinnatifidum were the most common, while the plants with the highest degree of toxicity found in the parks were Duranta erecta, Lantana camara, Nerium oleander and Thevetia peruviana. In all the evaluated parks, toxic plants were found near the recreation and food areas, most of the time unidentified, and with free access to the population and animals. Thus, it is necessary that the choice of species used consider their toxic potential, that more studies are careful and that educational activities are implemented for population knowledge and the adoption of preventive measures for accidents.Item Festejos e controle social: os bailes carnavalescos no Teatro de Santa Isabel (Recife, 1850 - 1855)(2023-04-28) Barros, Rayane Nathaline Dias de; Silva, Wellington Barbosa da; http://lattes.cnpq.br/1213688229016782; http://lattes.cnpq.br/7100858196009882This work arises with the purpose of analyzing the practices of nineteenth-century carnival manifestations that took place in the city of Recife, specifically within the Teatro de Santa Isabel, between the years 1850 - 1855, and how the propagation of these festivities makes it possible to understand the performance of some mechanisms of social control of the society of the time. The choice of time frame is justified by the inauguration of Teatro Santa Isabel – as a symbol of civilization for Recife society at the time, aiming to analyze the propagation of carnival balls promoted within this private space, to the detriment of Carnival manifestations. Based on the analysis of cultural manifestations, we can understand the systematization of the controlling power of the ruling class in Recife in the 19th century, as well as analyze how the instruments of communication play an important role in the construction of a civilizing ideal, which tend to marginalize the manifestations of most popular stratum of the city of Recife in the 19th century (1850 - 1855). It is in this scenario of disputes for spaces of sociability in the capital of Pernambuco, that we will investigate the attempt to build a national identity, which seeks to break with some cultural manifestations that do not meet the civilizing progress that fosters the ideals of a slave-owning elite.Item Descompassos no carnaval de rua do Recife na década de 1930: o caso do Quartel General do Frevo(2021-12-09) Barros, Gleicielly Maria Pereira de; Albuquerque, Mariana Zerbone Alves de; http://lattes.cnpq.br/8419255160811830; http://lattes.cnpq.br/3623672413182978Knowing that there is a narrative about how Carnival is a democratic party, as well as representative of a time where social segregation is not a reality, this article seeks to comprehend it as a cultural manifestation in 1930's Recife, observing the inequalities and social tensions inserted in the city's street carnival. It was necessary to understand the genesis of the party in Recife, it's development and the appearance of Frevo as a locally typical expression of carnival; while also studying it's occurrence in public spaces. Nevertheless, the conflicts that took place on Frevo Headquarters, located at Independence Square, were analysed, in a representative way as to the political scenario in the 1930's modern city. The methodology includes bibliographical revision from secondary reference fonts about Recife's carnival.Item Da moralidade à transgressão: a moda feminina na cidade do Recife entre os anos 1916 a 1920(2021-02-24) Lima, Thays de Souza; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/3891718129870477This work aims to analyze how the novelties present in Recife's fashion, between 1916 and 1920, are opposed to the traditional models of gender and pattern of the ideal woman, representing both a break in customs and a tool of female transgression. The choice of the time cut is justified by the novelties presented with the Casa Gondim parade, which took place in 1916, in addition to the changes in fashion in the early post-war years that preceded the so-called "golden years". For this, the methodology was composed by bibliographic research and analysis of primary sources, to identify the elements that contributed to the insertion of new practices in society. Based on this, we investigated how the spatial changes and innovations in socialization practices, as well as their influence on the importation and use of new fashion trends, represented a threat to the model of morality that governed the Recife society in the period, reflecting on the representation of the Northeastern male and the figure of the woman of good family. The theoretical reference presented throughout this work helped us in the analysis of the relationship between fashion and the symbolic construction of gender from a binary perspective. The concepts of habitus, distinction, and field in Pierre Bourdieu, contributed to the understanding of fashion as a cultural practice, perceiving its use as a device of symbolic power, to reaffirm roles and characteristics expected in the relational binary between female and male. The concept of gender developed by Joan Scott allowed us to think of the conception of femininity as a historical category, which varies according to the context and power relations of the period. In this way, the transgressions present in the feminine fashion, in the temporal cut of this research, have outlined new ways of "being a woman", showing that fashion, as a cultural practice, can be used both as a tool for body discipline and as a discourse that denaturalizes the moral and biological ideals attributed to the feminine.