TCC - Licenciatura em História (Sede)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/460
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Resultados da Pesquisa
Item Mulheres indígenas na ditadura militar brasileira: uma análise da representação e resistência(2024-02-27) Dutra, Letícia Gabriela da Silva; Silva, Marcília Gama da; http://lattes.cnpq.br/0090863442089957; http://lattes.cnpq.br/3627397878293507This article addresses the history of indigenous women during the period of the military dictatorship in Brazil, with an emphasis on the 1970s, highlighting their representation and resistance in the midst of a moment that was strongly marked by the evidence of human rights and political oppression, seeking to outline an alternative to escape the stereotyping of indigenous women, without the intention of placing them as the protagonist of their own history in a period in which they were constantly disconnected, and presenting the different groups in which these women were inserted in an attempt to put forward their struggle, history and culture as the center of their resistance.Item A representação social da História no mangá One Piece de Eiichiro Oda(2023-04-28) Mota, Ícaro Rhuan de Lima; Barbosa, Lúcia Falcão; http://lattes.cnpq.br/5667594441132627; http://lattes.cnpq.br/9421700387960516In this article, we'll look at Eiichiro Oda's One Piece manga. Our goal is to perceive, through the identification of thematic nuclei, the way the work establishes a social representation of history, through the dispositions that the characters make of the past and its importance for the narrative plot. To this end, we will dialogue with Chartier's concept of social representation, according to which social representation is not understood as the act of revealing an absent object (or situation), but are discourses that have their own devices, their own rhetorical and narrative articulations, which are not reducible to the ideas they enunciate or the themes they sustain.Item Mangá Fullmetal Alchemist: uma representação social do totalitarismo(2022-10-07) Lima, Franky Lourenço de; Barbosa, Lúcia Falcão; http://lattes.cnpq.br/5667594441132627; http://lattes.cnpq.br/1807758287595697This article seeks to analyze how the Fullmetal Alchemist manga, by the artist Hiromu Arakawa, mobilizes a social representation of totalitarianism. For that, we make use of the concepts: i) of totalitarianism, defined by Hannah Arendit (1998), to underline the mechanisms of exceptionality in the State of Law, ii) of social representation, developed by Roger Chartier (1982), with the purpose of undestand the nuances with which the graphic narrative of manga and anime approaches this theme. Methodologically, we chose some structuring thematic nuclei of the narrative, wich is divided into 108 chapters originally published in a contexto of dissemination of Japanese Pop Culture to the rest of the world (2001-2010).Item Negras de tabuleiro: uma visão a partir de viagem pitoresca e histórica ao Brasil de Jean Baptiste Debret(2022-05-17) Bento, Mônica Pontes da Silva; Bandeira, Élcia de Torres; http://lattes.cnpq.br/4669638328828195; http://lattes.cnpq.br/8560836875177973This article seeks to present the analyzes made from the iconographies of Jean-Baptiste Debret with black women on the board and their respective African and Afro-Brazilian cultural representations, social and work customs in Rio de Janeiro in the 19th century, during his stay in Brazil between 1816 and 1816. 1831. The objective is to show that the respective iconographies present historical, aesthetic and cultural elements of the time as well as the gender and social issue of these women, in conditions of slavery, freedom and forro. We will discuss the representations and their terms related to the black African woman, as well as the Afro-Brazilian, based on comments made on boards by Debret himself in Viagem Pitoresca e Histórica ao Brasil, and also on sources with narratives on the subject.