TCC - Licenciatura em Letras (UAST)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2944
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Item Entre Emily Brontë e Wuthering Heights: a escrita feminina como libertação dos entraves sociais(2019) Santos, Clara Batista dos; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/4570346408873450This paper has as objective to approach the novel "Wuthering Heights"(1847), by Emily Brontë, according the historic context it is inserted, especially the woman's position in the Victorian Era. For this purpose, we will look into the female characters of the novel, understanding their construction from the lived experiences by the author. We will discuss how Emily Brontë turns a timeless author and breaks with the puritans standards and values, mainly because her writing is intense and her female characters show unconventional attitudes, but even so no leave to be victims of the social convention, in an age that the woman is not given opportunities and her in turn lived in the shadow of the male figure. This way, the objective of this paper is understand the writing of Emily Brontë from her experiences and how Wuthering Heights turns an outsourcing of everything that her and the others women lived being immersed in the patriarcharlism. For this, we will seek to understand the oppressions suffered by Victorian women. We will analyze how dark this time was for those who often had to live in anonymity, especially writer woman. To this paper, we used Callaghan (2018), Iwami (2016); Virginia Woolf (2014), (2014) e (2013); Daise Dias, (2012), (2011) e (2011); Klinger (2006); Wengelin (2005); Zolin (2005); Neto (2014); Foucault (2001); e Bataille (1989); By this theorists we will go into the life and work of Emily Brontë to analyze the social relations that permeate theirselves.Item A perspectiva existencial e a imagem da mulher na fusão humano-ambiental em Doze Reis e a moça no labirinto do vento(2019) Silva, Auricélia Nunes da; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/6296537709996947The present research aimed at studying the work Twelve Kings and the Young Girl in the Wind Maze (2006) by Marina Colasanti with a particular focus on the tales “The ramada woman”, “A shell by the sea” and “Twelve kings and the Young girl in the wind maze”. The present study demonstrates that Colasanti writes fairy tales in order to reach both audiences children and adults, as her stories escape the tradition of "once upon a time" and "happily ever after", freedom, love and dreams. In addition, the human-environmental fusion, more specifically, the relation between the woman, nature and self-knowledge is discussed in regard to their position in patriarchal societies. Bibliographical analysis relied on the author's literary education and her identification as feminist and feminist writer, based on the works of feminist scholars such as Martha Robles (2006), Rose Marie Muraro (1970), Ruth Silviano Brandão (2006), among others also important for research. It was possible to verify that the stories enables reflections on aspects of human reality and on the representation of women in society by using magical ways that allude to Christian, Greek, and African mythologies.Item Templo de muitos deuses: estratégias de sobrevivência femininaao colonialismo e patriarcado(2019) Lima, Renata Feitosa de; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/7261048763565372This search is a study that analyzes, from the experiences of the protagonistsin the book O Alegre Canto da Perdiz, by Paulina Chiziane (2008), the vision of threegenerations of women who were: before colonization (Serafina), during (Delfina) andafter (Maria das Dores). Thereunto, we consider, mainly, studies of BONNICI (2012)on postcolonial theory, ADEDEJI (2007) to talk about feminisms and issues ofgender, and DUARTE (2013) with work on survival strategies from the dissimulation,that are some of the authors discussed. These three women are grandmother-mother-daughter, who in the course of the novel tell a little of their stories. Serafinarecalls in many passages the rites practiced by her people, the beauty of thelandscape, the language, the culture that is her, trying to keep a link with your originsto remain as subject by the continuity of its traditions and customs. The most strikingvoice in the novel of the colonization period in Zambezia is the Delfina's voice, thedaughter of Serafina, a woman very eroticized by men. Delfina, all the times,demands from her husband - white and black - to cover her even more with jewels,because in her mind that jewels seem to make her a white woman. Sold by hermother, raped by the man who said to be her husband and lost in hallucinations,Maria das Dores suffers as a result of colonization and mother's choices. Thesurvival, in the colonialism and patriarchy, are the motives for the most part of theactions of these characters.