TCC - Licenciatura em Letras (UAST)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2944
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Item O homem duplicado: a representação da perda da identidade na sociedade contemporânea(2019-11-20) Souza, Josimar Pereira de; Gonçalves Neto, Nefatalin; http://lattes.cnpq.br/5135488225580130The present work approaches the theme of the double in literature from the representation of contemporary subjects and the dialogue between literature and society. The study seeks to verify and justify the relevance of the theme in representing the existential dualities and dilemmas of the human being. Through the novel by Portuguese au The present work approaches the theme of the double in literature from the representation of contemporary subjects and the dialogue between literature and society. The study seeks to verify and justify the relevance of the theme in representing the existential dualities and dilemmas of the human being. Through the novel by Portuguese author José Saramago published in 2002, the work discusses the question of identity in the globalized world. Centered on the meeting of two perfectly identical men, Saramago's novel attributes longevity to the theme of the double and puts it into discussion with regard to how representative the theme of the double is as a social critic. Throughout the work we will analyze theoretical questions of the double, the plot of the novel and soon after its resonances in the social context. Theoretically supported by Sturat Hall (2005) the work seeks to present the reflexes of a globalized, automated society, of large metropolises and the consequences on contemporary subjects, fragmentation, existential dilemmas, identity crisis, consequently duplicityItem Vozes poéticas do pajeú: estudo da obra de alguns poetas da região do Pajeú sob a ótica da criação(2021-03-01) Sousa, Cícero Ângelo Antas de; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/0456226302887988The aim of this study was to draw a panorama of the current poetic scenario in the Pajeú region, in the face of the process of creating this literature and the so-called poetic voices of the new generation. Through this research work, seeks to understand the specifics behind this popular poetics, presenting the perspective of the creation process of some poets in the region. As a methodological part of the study, we discuss based on theoretical assumptions of several authors, poets and literary critics, such as: Arantes (1998), Bosi (1977), Candido (2006), Paz (1982), Ribas (2000), Santchuk (2009), Santos (2017), Silva (1988), Tavares (2005) and among others, issues related to the poetry creation process, the act of creating itself and the internal and external factors that go through such a manifestation. In this sense, issues related to contextual, geographical and historical factors of the region itself and of poetry in general were also discussed. Thus, we present a journey in terms of the origins of popular poetics to the contemporary scene. From a research route, we selected four cities in Pajeú and tried to bring a poet / representative from each one, they are: Afogados da Ingazeira, São José do Egito, Tabira and Serra Talhada. In the assessment, we found that the poetry of the authors studied is full of specificities, ranging from aesthetic factors, to the creative personality of each one. In addition to the perspective common to all who are the backwoods roots, who give Pajeú's poetry traces of uniqueness and identity. Factors such as inspiration, perceptions and technique are extremely important elements for popular poetics, so, as evidenced, poets tend to take them into account in the act of creation. It is also worth mentioning the value of many vates to the factor of inspiration, in addition to poetic freedom and the diversity of such works, whose mix of sentimentality and social role are present in the meshes of the texts. As a result of this study, we realized that the poetry Pajeuzeira reveals poets of various facets, which combine both the written process and the oral process of poetry. Many are considered glossing poets who show a lot of aptitude for the impromptu verse. In this, poets continually make use of the most varied genres of creation, among the most traditional and modern. Finally, we conclude that the poetry of the Pajeú hinterland is one of the main sociocultural expressions and part of the identity of the people, who see themselves in some way represented by it.Item No limiar do inefável: a relação humano-animal na poética de Orides Fontela(2020-12-17) Beserra, Eduardo de Lima; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/9563550467648491This work scrutinizes the relation of human-animal in the poetics of Orides Fontela. This view is taken as an initial perspective perception that human lives have always been attached to animals' lives somehow, whenever it was in a positive way or in a pernicious way. In turn literature, as one of the spirits of age, has always held into the non-human an important character as on prose as on poetry. However, until the present moment are incipient researches that dedicate themselves to the study of a human-animal relation. Given that, this research is guided by the following questions: How are the animals represented in the literary field? How is the human-animal relation in Oride’s poems and in what way may the animal be perceived in the poet’s poems? Because of this, from the hypotheses that human-animal interaction in Fontela’s poetics it’s deliberated by two inherent aspects of a human condition: the delight of existence and the desire to understand the subtleties of being. In this perspective, appreciated, as the I of the poem singularizes and seeks to understand its radicality from the existence of winged being – the bird figure. In light of this, the work enters into ecocriticism perspective –once it investigates the relation human and environment (nature) - taking as epistemological proposal and Phenomenology. For that it is landed the theoretical studies of William Rueckert (1978); Serge Moscovici (2007); Greg Garrard (2006); Jacques Derrida (2002); Jean-Paul Ronecker (1997); Gilbert Durant (2012); Merleau-Ponty (2004); Octavio Paz (2012) and in the perspectives and critics of Almeida (2008 e 2014); Ângela Maria Guida (2001); Evely Vânia Liboranari (2015); Afonso Henrique Menezes (2002), as well as it anchors in other scholars who have dedicated themselves towards the deduction of this object of this research. The present study has revealed nuances from the dialectic relation between human and non-human wavering Manicheism and allowing to cross through the threshold that puts the radicalisms of being in the counterpoint of existential.Item Duas maravilhas, um mesmo encantamento: realismo maravilhoso e diálogos literários em cem anos de solidão e a jangada de pedra(2020-12-22) Silva, Rivaldo Lima da; Gonçalves Neto, Nefatalin; http://lattes.cnpq.br/5135488225580130; http://lattes.cnpq.br/1263542396300554The field of unusual phenomena has always been an interest and theme of literature, as well as of literary criticism concerned with responding to the various appearances of the supernatural in the narratives. Hence the multiple varieties of interpretation and categorization of the phenomenon. One of these, wonderful realism, a term first used and created by the Cuban author Alejo Carpentier in 1949, which consists of the narration of the unreal as part of everyday reality and the acceptance of the supernatural by the characters as something common, becomes a theme on which our lives revolve. discussions. For this reason, trying to understand how the wonderful realistic story is constructed within the novelistic text, this research work proposes a comparative analysis of two novels; One hundred years of solitude by the Colombian Gabriel García Márquez (1967) and the Jangada de Pedra by the Portuguese writer José Saramago (1986), because we believe that the aesthetic form as the marvelous real is built in the two narratives, using images, allegories and evoking the roots of the myths, it can be pointed out that the dialogue between the American and European continents is deeper than we thought. At the same time, we believe that the authors, when weaving the two fictional works and making use of the wonderful real, propose a critique of modern man and, at the same time, seek to dialogue with their future.Item A saudade cantada na poesia popular do sertão do Pajeú(2019-12-12) Soares, Luis Ricardo Lopes; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172The main objective of this study is reflect on “saudade” And how it shows itself on the Northeast popular literature, with a deep analysis on the poetry produced on Pajeú’s Sertão. We also made a research about the latin word that originated the term "saudade" in the portuguese language to constrast words already existing in the brazilian indigenous languages with the same meaning. By doing so, we made a collection of historical processes about the word and the feeling, producing literary analyses about the poetical “singing” about "saudade" in the popular culture. For theoretical foundations we appealled on many authors like Guerreiro (1987), Hall (2003), Silva (2013), Cascudo (1984) and others also important for the research. The work is divided into three sections with some subtopics. First we discussed the perspective of what is popular and popular literature as well as the existing thematic plurality. Then we sought to understand a little bit more about "saudade", how it is represented in each situation, language, culture, etc. We finish by showing the songs of Pajeú and the "saudade cantada" by the region's poets. Throughout the research, it was possible to observe that "saudade" has no ties and no definition and is inherent to the human being.Item A perspectiva existencial e a imagem da mulher na fusão humano-ambiental em Doze Reis e a moça no labirinto do vento(2019) Silva, Auricélia Nunes da; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/6296537709996947The present research aimed at studying the work Twelve Kings and the Young Girl in the Wind Maze (2006) by Marina Colasanti with a particular focus on the tales “The ramada woman”, “A shell by the sea” and “Twelve kings and the Young girl in the wind maze”. The present study demonstrates that Colasanti writes fairy tales in order to reach both audiences children and adults, as her stories escape the tradition of "once upon a time" and "happily ever after", freedom, love and dreams. In addition, the human-environmental fusion, more specifically, the relation between the woman, nature and self-knowledge is discussed in regard to their position in patriarchal societies. Bibliographical analysis relied on the author's literary education and her identification as feminist and feminist writer, based on the works of feminist scholars such as Martha Robles (2006), Rose Marie Muraro (1970), Ruth Silviano Brandão (2006), among others also important for research. It was possible to verify that the stories enables reflections on aspects of human reality and on the representation of women in society by using magical ways that allude to Christian, Greek, and African mythologies.Item Argumentação e contra argumentação: um discurso que pode condenar ou justificar(2018) Santos, Valesca Talita Viturino dos; Silva, Jean Paul d'Antony Costa; Silva, Filipe Lima; http://lattes.cnpq.br/0793640526993320; http://lattes.cnpq.br/3561921480563342; http://lattes.cnpq.br/6830135400465830The shakesperean play “The Merchant of Venice” approaches concepts and contemplates strategies that pass through the limits of fiction, in the proportion that goes far of the makebelieve, showing situations and conflicts that can do a part of the real life, reffering to a society that gives privileges to the major people, since that in all the play, the jew is underprivileged, by the simple fact of being a jew. This work aims to show clearly the view of each personage has about justice and what this relation brings to the life of each one, as personage of the play. Considering the complexity of all these questions, mainly in the attempt to adjust them to a concept of justice, we appropriate about this narrative moment to bring the true about anti-Semitism, social position, power, prejudice presented by the autor. In this perspective we developed an explain search, trying to ansewer the question: Will justice be done for both parts or just one of the parts, for example, the part more discredited was demaged? In this way we opted for analyse this play into the ambit of the law and philosophy, following the theoretical concepts of authors, like: John Rawls, Platão, Sócrates, Kant, Dworkin, among others. Therefore, in front of the done analyse, we concluded that the initial hipothesis did not concretize, namely, there was justice to both parts, even the protagonist losing all your goods, because the justice was applied according yo to the laws of Veneza.Item O espaço do visível e do invisível na obra “Ensaio sobre a cegueira”(2018) Barbosa, Jéssica Andrade Guabiraba; Cavalcante, Valquíria Maria de Moura; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/1979728174658046; http://lattes.cnpq.br/0952255686046703The main object of study of this work is to analyze the visible and invisible spaces as a fundamental piece of transformation of the characters within José Saramago's work on blindness (1995), since the characters change throughout the narrative. It is also intended to work the space category, as well as philosophical theories about space, in order to report the spaces that the narrative addresses. In this way we use from the reading of Luis Alberto Brandão in his work "The theory of literary space", where he presents the theories that were chosen for the study of the work. With "The poetics of the space -Gaston Bachelard" and "Microfisicalof the power" of Foucault.Item Perspectivas do herói em “O santo e a porca” de Ariano Suassuna, traços e peculiaridades da obra e dos personagens(2018) Araujo, Jeancarlos Marins de; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/7401151266473757The presente monograph intends to investigate the representations of the hero on the literary work “O santo e a porca”, from Ariano Suassuna, especially on the perspective of the character Caroba, thatrevels her self as “picaresca”. We also see the peculiarity of other characters and the Northeastern traits, typical from the “Suassunianos” Works. The monograph also look out to aspects of the sacred and the profane on the literary work, mainly based on the theoretical views of Émile Duckheim and Mircea Eliade that help us to get a better undertunding of those perspectives and to analyze them in the work under study. It is a qualitative and bibliographic research to which we seek to rely on documents and texts already produced about the subject and, to reach the goal, we divided the study into three parts, first we look out to know more about the author’s style and aesthetics, after that we presented the literaly work and then we analyzed some importante aspects about the work and the characters. At the and of the research it was possible to notice that the literary work revels the human peculiarities, the game of appearances, especially the Caroba’s craftiness and also fuses opposites such as the sacred and the profane, among other factors.Item A literatura no ensino fundamental II: uma proposta para a formação do leitor(2018) Barbosa, Geneilda de Sousa; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172It is known that reading a very important role in school education for children, adolescents and adults. Through the reading of literary texts one has access to the different contents taught in the school and information of the society in general, allowing us to have contact with the world in which we are inserted and to interpret it. In this sense, the present work intends to discuss how the teaching of literature can be worked in elementary education II, seeking theoretical subsidies that allows to develop strategies of teaching literature in the classroom, using the reading as a playful and auxiliary tool in the development of the student's reading. Methodologically we chose a bibliographical review, through the meeting of a vast theoretical framework, where we focus on basal studies of authors such as: Regina Zilberman, Nelly Coelho, Marisa Lajolo, among others. The critical-analytical character is also emphasized, given that the text contains some analyzes of literary texts, particularly in the last chapter in which we try to make an analytical reading of the book "The Yellow Bag", by Lygia Bojunga. The work is divided in three chapters, the first chapter addresses the issue of "literature and school", pointing out how the teaching of literature can be enhanced in the classroom and how it can be an ally for the formation of the critical and reflective subject. The second chapter addresses the importance of the literature for children and youth, since the students who are in fundamental II need a more targeted literature for their age group. In the third chapter we present an analysis of the book "The Yellow Bag", showing some reading possibilities for this work and observing through the symbolic elements the daily life of many children. It concludes with this work, therefore, the strong need for recognition by the school, teachers and society in general, read family and other members of society, to recognize the importance of literature for student training, not just as compulsory school activity, but as a transformative instrument. It is also worth noting the importance of the study of literary texts as a tool that allows to broaden the horizons of interpretation of the reader, broadening his vision of the world. Through the analysis of the book "The Yellow Bag", proposed in this work, one can see in practice how reading has the power to generate reflection, restlessness, lead the reader to the world of fantasy, but without losing the critical sense, leading -e to decipher codes implicit in the text that go well beyond what the written words are saying.