02. Unidade Acadêmica de Educação a Distância e Tecnologia (UAEADTec)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2876
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Item A arte literária e as relações étnico-raciais na educação básica: uma contribuição para a prática docente antirracista(2023-10-24) Silva, Jobson Jorge da; Cunha, Maximiliano Wanderley Carneiro da; http://lattes.cnpq.br/0105516187749549; http://lattes.cnpq.br/9702054339589037This article aims to present a proposal for work in basic education from the perspective of deconstructing social imaginaries that disregard or despise African contributions to Brazilian sociocultural formation. In this sense, we believe it is necessary to start the construction of a new social mentality from the school, because it is in this environment that children and adolescents form their social identities and learn to value the different cultures and existing social differences. In this sense, we intend to discuss the relationship between ethnic-racial issues and basic education, then we will present the analysis of the data collected from interviews carried out with teachers from a public and municipal school in the interior of the state of Pernambuco and, finally, a didactic proposal which will collaborate with teaching practices that fight racism at school and insert ethnicracial issues in elementary schools. The work, therefore, is qualitative in nature and is mainly based on the production of Ribeiro (2019), BNCC (2018), Munanga (2012) and Brasil (1996).Item Cinema Negro: uma necessidade política e afetiva(2019-07-27) Antônio, Iris Regina Gomes; Agra, Uirá Rupert Moreira Cruz e Costa; http://lattes.cnpq.br/1007832192720400; http://lattes.cnpq.br/1322550438465644This paper analyzes some parameters of Brazilian Black cinema with one of the initial bases a brief social-historical contextualization of African black cinema, in order to reflect on how these impacts have influenced the construction of this cinema, since both are colonized territories and suffered with the process of racial oppression and, as spectators, these cinemas had access to a media imagery production that have contributed and still contribute to the maintenance of this project of domination, reflecting on the need to focus on the broad protagonism in these productions as a strategy of survival. In 1997, the São Paulo International Short Film Festival held the section "Foco", where for the first time there was a Brazilian festival with a program intended only for works made by black filmmakers from various countries. Alongside this, or even before that, Brazilian black filmmakers such as Jeferson De, Rogerio de Moura, Ari Candido, Noel Carvalho, Billy Castilho, Daniel Santiago, Lilian Solá Santiago and Luiz Paulo Lima had been debating the negative image of black people on screens, and already believed that only a direct intervention in the audiovisual chain made by black professionals, could reverse this situation .(CARVALHO and DOMINGUES 2018). Already in the year 2000, in the same festival, in its 11th edition, there was the program Dogma Feijoada - Black Diversity Show, which in addition to bringing 6 Brazilian films of black directors, had a part destined to the debate of the Manifesto written by filmmaker Jeferson De, entitled Genesis of the Brazilian Black Cinema. This document had six guidelines that defined what black cinema is: (1) the film has to be directed by a Brazilian black director; (2) the protagonist must be black; (3) the theme of the film must be related to the Brazilian black culture; (4) The film must have a workable schedule. Urgent films; (5) black (or not) stereotypical characters are prohibited; (6) the script should privilege the Brazilian common black; (7) superheroes or bandits should be avoided. We transform, then, the first guideline of the manifesto our basic parameter, that is, the focus of the research are cinematographic productions where the black people occupy the chair of the direction. Another motivation for the research was the data released by the Affirmative Action Multidisciplinary Study Group (GEEMA) in research focused on the box office cinema of Brazil, which states the inequality of gender and race, unlike independent cinema, which becomes the sector where most of these black artists can produce cinema. From comparisons of 100 films produced from 2010 to 2019 we can identify some characteristics that may point out some common motivations and conditions that may or may not define lines of thought and concepts. These reflections were defined in the chapters: “The Need to Document” which reflects on the form and content of documentary production; the chapter “By the right to subjectivity” that focuses on productions that have their diverse format and do not fit a traditional narrative line; “Quantitative Growth and Geographic Representations” which is the space for analysis regarding the locality and quantitative progress of these productions ”; “From affectivity to clash” that highlights organic and emerging cinema and how these narratives are told; and lastly, “Guerrilla Cinema or also Emergency Cinema” already quoted by Jeferson De in his manifesto.Item Redes sociais como ferramenta de apoio ao docente: multiculturalidade na arte(2021-08-07) Oliveira, Raira Izabel Santos de; Carvalho, Marluce Vasconcelos de; http://lattes.cnpq.br/2780914280180020; http://lattes.cnpq.br/0041203872368996The main objective of this research is to analyze the causes of the naturalization of racism present in teaching-learning, considering the contents and Eurocentric imagery representations. And, as specific objectives: to discuss the causes of the naturalization of racism in teaching-learning of basic education and the predominance of Eurocentric images in the teaching of Art and, finally, build support material for teachers, on Instagram, that explore active methodologies and the issues of multiculturality, seeking to deconstruct Eurocentric thought and imagery representations, naturalized in education and especially in the teaching of Art. From the study and understanding of the causes of the naturalization of racism in teaching-learning, it was possible to understand which practices corroborate the symbolism and predominance of Eurocentrism in Basic Education and how it is possible to use social networks as vehicles for the dissemination of new educational content applicable in the hybrid education system.Item A Artista Maria Auxiliadora e a Representatividade Negra em suas Pinturas(2021-08-18) Jesus, Jeisa Pereira de; Carvalho, Marluce Vasconcelos de; http://lattes.cnpq.br/2780914280180020Este trabajo investiga cómo se ha representado a los negros en la pintura brasileña a lo largo de la historia. Así, nos propusimos como objetivos específicos: analizar las diferencias en las representaciones del negro producidas por la artista negra Maria Auxiliadora da Silva en relación a las de los artistas europeos, y reflexionar sobre la importancia de estas representaciones del citado artista, en la actualidad. veces, según la selección de tres de sus pantallas. Por lo tanto, era importante estudiar los principales artistas que desempeñaron este papel en el arte pictórico, desde los pintores holandeses del siglo XVII, Frans Post (1612-1680) y Albert Eckhout (1610-1666) y los artistas Johann Moritz Rugendas (alemán) (1802-1858) y Jean-Baptiste Debret (francés) (1768-1848) en el siglo XIX. Identificamos el surgimiento de los primeros pintores brasileños negros en incorporarse a la AIBA - Academia Imperial de Bellas Artes, aún en el siglo XIX y los llamados artistas negros populares, que estaban apareciendo en la escena artística en el siglo XX. La metodología utilizada fue la investigación documental y bibliográfica, entre las diversas referencias utilizadas, podemos destacar a los autores: Vagner Gonçalves da Silva (2005), Lélia Coelho Frota (1978), Darcy Ribeiro (2020), y otros que se encontraron durante la investigación. en artículos académicos y disertaciones de maestría. Por tanto, nuestra investigación bibliográfica siguió un método de estudio basado en la historia en el que contextualizamos la representación de los negros por parte de los pintores mencionados. Identificar la presencia de los negros y sus vivencias en las tres obras seleccionadas de María Auxiliadora, por traer conceptos sólidos de la cultura afrobrasileña, importantes para la formación de nuestra cultura nacional y analizar la diferencia entre sus representaciones en relación a las del pintor. , poniéndonos a reflexionar sobre la importancia de estas representaciones negras en la contemporaneidad, a partir de tres lienzos seleccionados por este artista. Notamos que la artista no solo representó la cultura afrobrasileña como parte de su vida diaria, sino que también trajo fuertes conceptos de la cultura afrobrasileña, como sus manifiestos religiosos, que abarcan las festividades, la musicalidad, la estética de su indumentaria, entre otras características. , importante para la formación de nuestra cultura nacional.Item Oficinas de capoeira nas aulas de artes: promover, reconhecer e preservar, na perspectiva das relações étnico-Raciais(2021-08-13) Cordeiro, Fabíola da Silva; Torres, Niedja Ferreira dos Santos; http://lattes.cnpq.br/3501803097646190The aim of this research was to investigate a non-formal institution in the city of Brumado-BA that serves children, adolescents and young people working with workshops focused on Visual Arts, more specifically with capoeira workshops in its context focused on Ethnic-Racial Education. When carrying out an investigative analysis in the institution, one can see the need to take this learning to the study in formal education schools so that everyone has access as detailed in Law N. 10.639/03, where it is mandatory and legally responsible for institutions as regards the offer of subjects on Afro-Brazilian and African history and culture, therefore, it becomes essential to change the school curriculum, intensifying ethnic-racial studies. The theoretical foundation was in the light of CRUZ (1997), COLI (1995) and LIBLIK (2011). In this way, to encourage the inclusion of workshops aimed at learning theoretically and playfully in the cultural experiences of Capoeira where it shows that this art is genuinely Brazilian and is part of the construction and history of African peoples who were enslaved in Brazil.Item O ensino de Artes Visuais para uma Educação das relações étnico - raciais no Fundamental II nas escolas públicas municipais de Ilhéus-Bahia(2021-08-13) Anjos, Eliete Silva dos; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045; http://lattes.cnpq.br/8484648364536984This research addresses the need for teaching Visual Arts to achieve an Education of ethnic-racial relations, aims to analyze how Education for ethnic-racial relations is being implemented in the Art Curriculum Component classes, offered in Elementary School II in public schools in the municipal network of Ilhéus - BA. The theoretical framework included discussions about laws 10.639 (2003) and 11.645 (2008), which changed the Law of Guidelines and Base for National Education (LDB) No. 9394 (1996) and Ana Mae Barbosa's Triangular Proposal. The methodological steps used in the research are of a qualitative, descriptive, bibliographical and documentary approach, where we carry out a literature review in articles and books by authors who discuss the proposal of Education for ethnic-racial relations in art classes. Thus, the data indicate that the present municipality promotes a pedagogical proposal that enables Education for ethnic-racial relations in the Art Curriculum Component, as seen in the Curriculum Matrix, in the Pedagogical Diary of Final Years, in the Reference Curriculum Document, in the Organic Law and in the Municipal Education Plan (PME). We found that Education for ethnic-racial relations in the Art Curriculum Component is being offered in Elementary School II in Cycles 4 and 5 and in their corresponding phases I and II in public schools in the Municipality of Ilhéus - Ba, implemented the prerogatives of laws 10.639 (2003) and 11,645 (2008).Item Brinquedos e brincadeiras: uma influência de África em nosso cotidiano(2021-10-15) Paixão, Amaralina Câmara da; Silva, Elizabeth Cristina Rosendo Tomé da; http://lattes.cnpq.br/3457017190178025Este trabajo nace del deseo de identificar las influencias y aportes de los pueblos africanos en nuestra cultura lúdica tradicional, y de cuáles de estas intervenciones podríamos extraer elementos que enriquezcan y brinden una educación más integral que esté alineada con la cultura lúdica en lo formal y no formal. -Experiencias y aprendizajes formales. En este sentido, nuestra investigación buscó identificar juguetes y juegos de origen africano, cuáles de estos influyeron en nuestra cultura lúdica tradicional, y a partir de esta base, investigar qué elementos esenciales para la formación del ser humano estarían incrustados en esta cultura del juego y cuáles de estos elementos podríamos explorar en las prácticas aspectos pedagógicos en la educación básica. En este aspecto, buscamos reflexionar sobre cómo la educación, la alegría y la cultura lúdica afrobrasileña / africana podrían influir positivamente en la deconstrucción de estereotipos y favorecer los procesos de enseñanza / aprendizaje. Nuestro marco teórico incluyó discusiones sobre la importancia de la alegría y la cultura lúdica en la formación del ser humano, buscando el apoyo de algunos intelectuales, académicos e investigadores como Froebel, Huizinga, Caillois, Luckesi, Brougère, Kishimoto, Vygotsky, Freire, Gomes, Cunha. entre otros. Además de información pertinente sobre bases normativas sobre el juego y las relaciones étnico-raciales en educación. En este entendimiento, adoptamos dos investigaciones como procedimiento metodológico, una bibliográfica y otra de relevamiento. Destacamos que los datos obtenidos en las investigaciones indicaron que la cultura lúdica y el estado lúdico fortalecen y brindan oportunidades para un mejor desarrollo del ser humano, así como el estímulo al aprendizaje y fortalecimiento de las herencias identitarias.Item Raça e saúde: o discurso médico no diagnóstico da população negra(2021-04-01) Torres, Gwan Silvestre Arruda; Barros, Gabriel Navarro de; http://lattes.cnpq.br/3280959855647241; http://lattes.cnpq.br/9846453094987325The research analyzes the medical discourse with racial bias, in order to investigate the medical racialist discourse, in the bodies of the Afro-Brazilian population and the use of theories in their diagnoses. The time frame comprises the years 1889 to 1930, for further understanding of racial theories and how they were shaped in the Republican Brazilian socity, as well as understanding the perception of public health, whether through medical academies or health campaigns. The study will be divided into three chapters, the first one turns to presentation, as well as the identification of racial theories and their multiplicity of discourses, reaching not only doctors, but other intellectuals, until reaching other social layers. In turn, chapter two will be the historicization of the History of Medicine, from the emergence of the first faculties in Brazil to a look at the History of Pernambuco Medicine, with a bias to a regional history. Finally, we analyzed different sources to contextualize the medical diagnoses in black bodies and how these prognoses pointed to racial theories.Item O imaginário racial na fotografia de Albert Henschel (Brasil: 1860-1880)(2021-03-29) Tiné, Gustavo Henrique Ribeiro; Barros, Gabriel Navarro de; http://lattes.cnpq.br/3280959855647241; http://lattes.cnpq.br/6929820313308185