(2019-07-06) Araújo, Bruno Vinelli Nunes de Oliveira; Martins, Adriana Ianino; http://lattes.cnpq.br/3851462283169428; http://lattes.cnpq.br/1779519146949840
The aim of the monograph is to analyze the writing of the screenplay of the pilot episodes of the series The Good Place and Unbreakable Kimmy Schmidt, focusing on the end of the acts and the presence of the pause of the commercials; and in the absence of this artifice, when one is broadcast on the open television channel, NBC, or by the video streaming application, Netflix. To achieve this purpose, we began a descriptive study about serial television narratives up to the present day. In the following chapter, we made a history of the Internet as a means of transmitting audiovisual content to the videos on demand and described the two series studied, both the synopses and the importance of choosing the programs. Finally, we compare the routes of the pilot episodes and thus we can observe their differences when it passes in the service of streaming and another one in open television. And thus, we will perceive its nuances about the change of the narrative structure of the televising contents.
