TCC - Licenciatura em Letras (UAST)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2944
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Item O testemunho feminino negro em análise: "Quarto de despejo" de Carolina Maria de Jesus(2019) Melo, João Emanoel Medeiros; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/3124654607152947The present work proposes to analyse “Quarto de despejo”, a book by Brazilian writer Carolina Maria de Jesus, in the light of the notion of “escrevivência” (a neologism for writability and experience) as proposed by Evaristo (2007) and in the light of the testimonial genre, as proposed by Reis (2002) and Magnobosco (2002). Not only because both the notion of “escrevivência” and the testimonial genre characterize the writing of subaltern women, but because of the lack of works with both factors in mind in the academy. For this, we propose a discussion about the female black literature and why this literature asks for these adjectives, besides denying the common theoretical-critical hegemony to conceptualize and analyze this work. For this purpose, we use Duarte (2005), Bonnici and Zolin (2009), Souza (2018), among other authors who discussed black and feminine literature and the literature that is both black and feminine and about the period in which the work was writen. We have been able to develop the analysis using the described factors, linking the “escrevivência” to the testimonial genre as a magnifying glass for the analysis.Item Escrevivência: escrita, identidade e o eu feminino negro em Ponciá Vicêncio de Conceição Evaristo(2019) Bezerra, Simone Maria; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172This work has the goal to analyze how the construction of the black female self in the novel Ponciá Vicêncio, by Conceição Evaristo, through the concept of personal narrativeand identity. When the writer puts the black woman as the protagonist makes her voice and opportunity empowers, breaking the chains of subalternity that silence the woman and the black people over the centuries, giving them the right to self-represent. In order to reach the proposed objectives we will start from the reflections presented by some researchers of the subjects in question, for example Mirian Alves, Djamila Ribeiro, Stuart Hall, Ana Rita Santiago, Nei Lopes and others. The black woman in this book stops being represented and begins to self-represent, telling and recounting their stories through their own experiences, showing a vision from the inside out with respect to the fears, dreams and life of a protagonist and black woman. The "personal narrative" of Conceição Evaristo is impregnated with her status as a black woman in Brazilian society, that unfortunately is still a part misogynist and racist society. It is a bibliographical research and for elaboration, we draw a path with four chapters. The first seeks to know more about the writing of black writers in Brazil, the second brings a breviary about the writer's work in order to know more about her style and aesthetics. Then we discussed some questions about ancestry and identity as well as some perspectives of the black female self in this book.Throughout the study it was possible to perceive that Evaristo breaks the lenses imposed by those who speak of a gender or an ethnic group without experience or knowledge of cause and offers voice to black woman silenced for generations by the patriarchalism and the racial prejudice, so that she tells her own story and feelings through her personal narrative.