TCC - Licenciatura em Letras (UAST)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2944
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Item A mulher nas letras das canções de Chico Buarque(2019) Ferreira, Rejane da Silva; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/7338815417526024This work aims to discuss the figure of the culturally constructed woman as a fragile sex, presented in the lyrics of the composer Chico Buarque de Hollanda. As well as discussing the invention of this concept, since many women do not fit into it. We seek to reflect on the figure of the submissive woman and also on the one who breaks this concept, being the transgressive woman. Finally understand how these stereotypes are perceived in the lyrics of Chico Buarque. The research is of a bibliographic-qualitative nature, supported by scholars like Martha Robles (2006), Alfredo Bosi (1977), Adélia Menezes (2001), among others. The study will be divided in three parts, in the first we seek to answer the question "woman, fragile sex?", From the life of several figures of our history and also of the letters. In the second part, we will present a bibliographic breviary about the author Chico Buarque, as well as his productions as a writer, theatrical artist and his faces in musical compositions. In the last part will be the analysis of some letters, pointing to the position of the female figures in them. Finally, we emphasize that women are trapped in patriarchal stereotypes and are attached to concepts in which they often imprison themselves, and in order to be free they must recognize themselves as a strong woman, free from pre-established concepts. The study led us to conclude that the stereotype of a fragile woman still lingers mainly in the woman's own mind and that the letters of the author in question place her as protagonist, starting from the woman's own voice, which speaks of the place in which she occupies.Item A representação externa e a verdade interna em espelho de José J. Veiga(2019) Silva, Mikaelly Keila Pereira da; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/0057832271208582The research aims to make an analysis about the Mirror tale of José J. Veiga, focusing on the mirror object, since such an element seems to reveal beyond physical appearances and show what is behind the appearances of family members who are part of the space where such an artifact is located. The research is based on the studies developed by Chevalier and Gheerbrant (2012), Melchior-Bonnet (2016), Souza (1990), Turchi (2005) among others of fundamental importance for the development of the analysis. Throughout the whole historical journey of mankind the man always tried to (re) know the other and himself, for that he used everything that could give him a clue, an image of who and what he was, first in the waters and in some metals, then into an object made of glass called a mirror, however, such a fascinating object was interpreted in different ways by different societies. In this way, the mirror is gaining forms and also symbolisms in the social imaginary. In the literary text he can represent the social figures and also the personalities of those who 'face' him. Thus, throughout the work, it was possible to observe that in Veiga's tale, the mirror reflects and transfigures the social masks, the hypocrisy in which the characters of the plot live. In this story, the mirror is seen not only as an ordinary object, simple and without major meanings or importance, it is the center, which causes the characters to move their experiences and show who they really are.Item O testemunho feminino negro em análise: "Quarto de despejo" de Carolina Maria de Jesus(2019) Melo, João Emanoel Medeiros; Pereira, Kleyton Ricardo Wanderley; http://lattes.cnpq.br/8902091363038170; http://lattes.cnpq.br/3124654607152947The present work proposes to analyse “Quarto de despejo”, a book by Brazilian writer Carolina Maria de Jesus, in the light of the notion of “escrevivência” (a neologism for writability and experience) as proposed by Evaristo (2007) and in the light of the testimonial genre, as proposed by Reis (2002) and Magnobosco (2002). Not only because both the notion of “escrevivência” and the testimonial genre characterize the writing of subaltern women, but because of the lack of works with both factors in mind in the academy. For this, we propose a discussion about the female black literature and why this literature asks for these adjectives, besides denying the common theoretical-critical hegemony to conceptualize and analyze this work. For this purpose, we use Duarte (2005), Bonnici and Zolin (2009), Souza (2018), among other authors who discussed black and feminine literature and the literature that is both black and feminine and about the period in which the work was writen. We have been able to develop the analysis using the described factors, linking the “escrevivência” to the testimonial genre as a magnifying glass for the analysis.