Licenciatura em Letras (UAST)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2943
Siglas das Coleções:
APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso
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14 resultados
Resultados da Pesquisa
Item O guia do mochileiro das galáxias e a racionalização de eventos arbitrários(2023-05-04) Tavares, Breno Henrique da Silva; Apolinário, José Antônio Feitosa; Santos, Paulo Henrique Raulino dos; http://lattes.cnpq.br/4368649902795783; http://lattes.cnpq.br/1121641464509822; http://lattes.cnpq.br/9820237694860392O presente trabalho, de caráter exploratório, faz uma exploração da obra O Guia do Mochileiro das Galáxias de Douglas Adams, tendo como objetivo observar como se apresenta a racionalização, que organiza os eventos arbitrários ali presentes, na construção de sua narrativa. Para isso, ele baseia-se principalmente em obras como A Dialética do Esclarecimento de Adorno e Horkheimer (1985) e A Ideologia da Sociedade Industrial de Marcuse (1973). Será também observado como aparece na obra relações com as ideias presentes na dialética do esclarecimento e analisado a arbitrariedade dos eventos sob a ótica da racionalização burguesa, buscando entender como essa é trazida no Guia do Mochileiro das Galáxias. Portanto, a análise segue em uma abordagem qualitativa e bibliográfica, visto que, é por meio desta que se chega à conclusão afirmativa, pois, o guia do mochileiro traz em sua narrativa formas de racionalização burguesa, e os seus eventos se mostram arbitrários em decorrência dessa racionalizaçãoItem A expressão das cores e histórias que salvam vidas em O voo da guará vermelha, de Maria valéria Rezende.(2023-03-30) Silva, Iza Maria Lopes da; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/7537342535632454O voo da Guar avermelha, romance escrito por Maria Valéria Rezende, publicado no ano de 2005, traz a essência das cores diante das mudanças dos sentimentos e emoções das personagens principais, Rosalio e Irene, apresentando essas personagens num cenário social em meio a exploração, excluso e desrespeito dos seus direitos. Através das contações de histórias, ora beirando a fantasia, ora beirando o factual, podemos perceber a (re)construção, o identitária dessas pessoas ao longo do enredo. Em vista disso, este trabalho objetiva identificar os aspectos simbólicos das cores e sua importância na construção do enredo, o que nos direciona para um estudo semiótico, mas È objetivo, também, observar como se revelam os aspectos socioculturais que remetem ‡s identidades dos protagonistas, refletindo sobre o papel da literatura diante do retrato sociocultural contemporâneo trazido pela obra rezendiana através de Rosalio e Irene. Diante disso, a metodologia consiste em pesquisas bibliográficas, com consulta a periódicos, revistas, livros e sites da internet. A pesquisa est· teoricamente embasada em autores como Santaella (2007), Hall (2005), Candido (2006), Pignatari (2004); Pierce (2005); Possebon (2014), Guimarães (2004), Kandinsky (1996) entre outros que muito contribuíram para o desenvolvimento do estudo. Ao longo do estudo foi possível observar que as personagens nos despertam para um diálogo humanizador que reascende e pelo poder transformador da educação, mas nos alertam, também, frente ‡s condições de pobreza e de exclusao social, problemas ainda emergentes em nossa sociedade contemporânea.Item O trágico e a construção nas personagens femininas em noite na taverna, de Álvares de Azevedo(2022-07-05) Torres, Lilian Dayane de Carvalho; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/8396884041320293Álvares de Azevedo sempre foi considerado um jovem emblemático, sua escrita mesmo que prematura e sem amadurecimento, demonstra até os dias atuais, várias questões a serem exploradas. Nessa pesquisa, a obra Noite na Taverna tem como foco a exploração dos aspectos trágicos a partir das histórias silenciadas das mulheres, vítimas de feminicídio encobertos por um "amor romântico". Essas colocações buscam se apoiar na concepção de que o universo do narrador maldito, que Azevedo constrói inspirado em Lord Byron, busca incessantemente se alimentar dos corpos, como um vampiro, se colocando no papel de herói trágico que encara a velhice como uma derrota, a brevidade do ser uma dádiva. Entendemos que discutir sobre essas questões não é papel fácil, por isso utilizamos como meio teórico os seguintes autores: Nietzsche (2019), Puppi (1985), Aristóteles (1987), Santos (2015), Perrot (2010), Brandão (2006), Labres (2002), entre outros que possam nos encaminhar nas discussões sobre o aspecto do trágico, a crítica literária, a perspectiva do uso dos arquétipos femininos e da submissão aplicada pelo patriarcado para silenciamento dos corpos femininos.Item O homem duplicado: a representação da perda da identidade na sociedade contemporânea(2019-11-20) Souza, Josimar Pereira de; Gonçalves Neto, Nefatalin; http://lattes.cnpq.br/5135488225580130The present work approaches the theme of the double in literature from the representation of contemporary subjects and the dialogue between literature and society. The study seeks to verify and justify the relevance of the theme in representing the existential dualities and dilemmas of the human being. Through the novel by Portuguese au The present work approaches the theme of the double in literature from the representation of contemporary subjects and the dialogue between literature and society. The study seeks to verify and justify the relevance of the theme in representing the existential dualities and dilemmas of the human being. Through the novel by Portuguese author José Saramago published in 2002, the work discusses the question of identity in the globalized world. Centered on the meeting of two perfectly identical men, Saramago's novel attributes longevity to the theme of the double and puts it into discussion with regard to how representative the theme of the double is as a social critic. Throughout the work we will analyze theoretical questions of the double, the plot of the novel and soon after its resonances in the social context. Theoretically supported by Sturat Hall (2005) the work seeks to present the reflexes of a globalized, automated society, of large metropolises and the consequences on contemporary subjects, fragmentation, existential dilemmas, identity crisis, consequently duplicityItem Vozes poéticas do pajeú: estudo da obra de alguns poetas da região do Pajeú sob a ótica da criação(2021-03-01) Sousa, Cícero Ângelo Antas de; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/0456226302887988The aim of this study was to draw a panorama of the current poetic scenario in the Pajeú region, in the face of the process of creating this literature and the so-called poetic voices of the new generation. Through this research work, seeks to understand the specifics behind this popular poetics, presenting the perspective of the creation process of some poets in the region. As a methodological part of the study, we discuss based on theoretical assumptions of several authors, poets and literary critics, such as: Arantes (1998), Bosi (1977), Candido (2006), Paz (1982), Ribas (2000), Santchuk (2009), Santos (2017), Silva (1988), Tavares (2005) and among others, issues related to the poetry creation process, the act of creating itself and the internal and external factors that go through such a manifestation. In this sense, issues related to contextual, geographical and historical factors of the region itself and of poetry in general were also discussed. Thus, we present a journey in terms of the origins of popular poetics to the contemporary scene. From a research route, we selected four cities in Pajeú and tried to bring a poet / representative from each one, they are: Afogados da Ingazeira, São José do Egito, Tabira and Serra Talhada. In the assessment, we found that the poetry of the authors studied is full of specificities, ranging from aesthetic factors, to the creative personality of each one. In addition to the perspective common to all who are the backwoods roots, who give Pajeú's poetry traces of uniqueness and identity. Factors such as inspiration, perceptions and technique are extremely important elements for popular poetics, so, as evidenced, poets tend to take them into account in the act of creation. It is also worth mentioning the value of many vates to the factor of inspiration, in addition to poetic freedom and the diversity of such works, whose mix of sentimentality and social role are present in the meshes of the texts. As a result of this study, we realized that the poetry Pajeuzeira reveals poets of various facets, which combine both the written process and the oral process of poetry. Many are considered glossing poets who show a lot of aptitude for the impromptu verse. In this, poets continually make use of the most varied genres of creation, among the most traditional and modern. Finally, we conclude that the poetry of the Pajeú hinterland is one of the main sociocultural expressions and part of the identity of the people, who see themselves in some way represented by it.Item No limiar do inefável: a relação humano-animal na poética de Orides Fontela(2020-12-17) Beserra, Eduardo de Lima; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/9563550467648491This work scrutinizes the relation of human-animal in the poetics of Orides Fontela. This view is taken as an initial perspective perception that human lives have always been attached to animals' lives somehow, whenever it was in a positive way or in a pernicious way. In turn literature, as one of the spirits of age, has always held into the non-human an important character as on prose as on poetry. However, until the present moment are incipient researches that dedicate themselves to the study of a human-animal relation. Given that, this research is guided by the following questions: How are the animals represented in the literary field? How is the human-animal relation in Oride’s poems and in what way may the animal be perceived in the poet’s poems? Because of this, from the hypotheses that human-animal interaction in Fontela’s poetics it’s deliberated by two inherent aspects of a human condition: the delight of existence and the desire to understand the subtleties of being. In this perspective, appreciated, as the I of the poem singularizes and seeks to understand its radicality from the existence of winged being – the bird figure. In light of this, the work enters into ecocriticism perspective –once it investigates the relation human and environment (nature) - taking as epistemological proposal and Phenomenology. For that it is landed the theoretical studies of William Rueckert (1978); Serge Moscovici (2007); Greg Garrard (2006); Jacques Derrida (2002); Jean-Paul Ronecker (1997); Gilbert Durant (2012); Merleau-Ponty (2004); Octavio Paz (2012) and in the perspectives and critics of Almeida (2008 e 2014); Ângela Maria Guida (2001); Evely Vânia Liboranari (2015); Afonso Henrique Menezes (2002), as well as it anchors in other scholars who have dedicated themselves towards the deduction of this object of this research. The present study has revealed nuances from the dialectic relation between human and non-human wavering Manicheism and allowing to cross through the threshold that puts the radicalisms of being in the counterpoint of existential.Item Duas maravilhas, um mesmo encantamento: realismo maravilhoso e diálogos literários em cem anos de solidão e a jangada de pedra(2020-12-22) Silva, Rivaldo Lima da; Gonçalves Neto, Nefatalin; http://lattes.cnpq.br/5135488225580130; http://lattes.cnpq.br/1263542396300554The field of unusual phenomena has always been an interest and theme of literature, as well as of literary criticism concerned with responding to the various appearances of the supernatural in the narratives. Hence the multiple varieties of interpretation and categorization of the phenomenon. One of these, wonderful realism, a term first used and created by the Cuban author Alejo Carpentier in 1949, which consists of the narration of the unreal as part of everyday reality and the acceptance of the supernatural by the characters as something common, becomes a theme on which our lives revolve. discussions. For this reason, trying to understand how the wonderful realistic story is constructed within the novelistic text, this research work proposes a comparative analysis of two novels; One hundred years of solitude by the Colombian Gabriel García Márquez (1967) and the Jangada de Pedra by the Portuguese writer José Saramago (1986), because we believe that the aesthetic form as the marvelous real is built in the two narratives, using images, allegories and evoking the roots of the myths, it can be pointed out that the dialogue between the American and European continents is deeper than we thought. At the same time, we believe that the authors, when weaving the two fictional works and making use of the wonderful real, propose a critique of modern man and, at the same time, seek to dialogue with their future.Item A saudade cantada na poesia popular do sertão do Pajeú(2019-12-12) Soares, Luis Ricardo Lopes; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172The main objective of this study is reflect on “saudade” And how it shows itself on the Northeast popular literature, with a deep analysis on the poetry produced on Pajeú’s Sertão. We also made a research about the latin word that originated the term "saudade" in the portuguese language to constrast words already existing in the brazilian indigenous languages with the same meaning. By doing so, we made a collection of historical processes about the word and the feeling, producing literary analyses about the poetical “singing” about "saudade" in the popular culture. For theoretical foundations we appealled on many authors like Guerreiro (1987), Hall (2003), Silva (2013), Cascudo (1984) and others also important for the research. The work is divided into three sections with some subtopics. First we discussed the perspective of what is popular and popular literature as well as the existing thematic plurality. Then we sought to understand a little bit more about "saudade", how it is represented in each situation, language, culture, etc. We finish by showing the songs of Pajeú and the "saudade cantada" by the region's poets. Throughout the research, it was possible to observe that "saudade" has no ties and no definition and is inherent to the human being.Item A perspectiva existencial e a imagem da mulher na fusão humano-ambiental em Doze Reis e a moça no labirinto do vento(2019) Silva, Auricélia Nunes da; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/6296537709996947The present research aimed at studying the work Twelve Kings and the Young Girl in the Wind Maze (2006) by Marina Colasanti with a particular focus on the tales “The ramada woman”, “A shell by the sea” and “Twelve kings and the Young girl in the wind maze”. The present study demonstrates that Colasanti writes fairy tales in order to reach both audiences children and adults, as her stories escape the tradition of "once upon a time" and "happily ever after", freedom, love and dreams. In addition, the human-environmental fusion, more specifically, the relation between the woman, nature and self-knowledge is discussed in regard to their position in patriarchal societies. Bibliographical analysis relied on the author's literary education and her identification as feminist and feminist writer, based on the works of feminist scholars such as Martha Robles (2006), Rose Marie Muraro (1970), Ruth Silviano Brandão (2006), among others also important for research. It was possible to verify that the stories enables reflections on aspects of human reality and on the representation of women in society by using magical ways that allude to Christian, Greek, and African mythologies.Item Argumentação e contra argumentação: um discurso que pode condenar ou justificar(2018) Santos, Valesca Talita Viturino dos; Silva, Jean Paul d'Antony Costa; Silva, Filipe Lima; http://lattes.cnpq.br/0793640526993320; http://lattes.cnpq.br/3561921480563342; http://lattes.cnpq.br/6830135400465830The shakesperean play “The Merchant of Venice” approaches concepts and contemplates strategies that pass through the limits of fiction, in the proportion that goes far of the makebelieve, showing situations and conflicts that can do a part of the real life, reffering to a society that gives privileges to the major people, since that in all the play, the jew is underprivileged, by the simple fact of being a jew. This work aims to show clearly the view of each personage has about justice and what this relation brings to the life of each one, as personage of the play. Considering the complexity of all these questions, mainly in the attempt to adjust them to a concept of justice, we appropriate about this narrative moment to bring the true about anti-Semitism, social position, power, prejudice presented by the autor. In this perspective we developed an explain search, trying to ansewer the question: Will justice be done for both parts or just one of the parts, for example, the part more discredited was demaged? In this way we opted for analyse this play into the ambit of the law and philosophy, following the theoretical concepts of authors, like: John Rawls, Platão, Sócrates, Kant, Dworkin, among others. Therefore, in front of the done analyse, we concluded that the initial hipothesis did not concretize, namely, there was justice to both parts, even the protagonist losing all your goods, because the justice was applied according yo to the laws of Veneza.