Licenciatura em Letras (UAST)

URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2943

Siglas das Coleções:

APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso

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Resultados da Pesquisa

Agora exibindo 1 - 3 de 3

Vozes poéticas do pajeú: estudo da obra de alguns poetas da região do Pajeú sob a ótica da criação
(2021-03-01) Sousa, Cícero Ângelo Antas de; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/0456226302887988
The aim of this study was to draw a panorama of the current poetic scenario in the Pajeú region, in the face of the process of creating this literature and the so-called poetic voices of the new generation. Through this research work, seeks to understand the specifics behind this popular poetics, presenting the perspective of the creation process of some poets in the region. As a methodological part of the study, we discuss based on theoretical assumptions of several authors, poets and literary critics, such as: Arantes (1998), Bosi (1977), Candido (2006), Paz (1982), Ribas (2000), Santchuk (2009), Santos (2017), Silva (1988), Tavares (2005) and among others, issues related to the poetry creation process, the act of creating itself and the internal and external factors that go through such a manifestation. In this sense, issues related to contextual, geographical and historical factors of the region itself and of poetry in general were also discussed. Thus, we present a journey in terms of the origins of popular poetics to the contemporary scene. From a research route, we selected four cities in Pajeú and tried to bring a poet / representative from each one, they are: Afogados da Ingazeira, São José do Egito, Tabira and Serra Talhada. In the assessment, we found that the poetry of the authors studied is full of specificities, ranging from aesthetic factors, to the creative personality of each one. In addition to the perspective common to all who are the backwoods roots, who give Pajeú's poetry traces of uniqueness and identity. Factors such as inspiration, perceptions and technique are extremely important elements for popular poetics, so, as evidenced, poets tend to take them into account in the act of creation. It is also worth mentioning the value of many vates to the factor of inspiration, in addition to poetic freedom and the diversity of such works, whose mix of sentimentality and social role are present in the meshes of the texts. As a result of this study, we realized that the poetry Pajeuzeira reveals poets of various facets, which combine both the written process and the oral process of poetry. Many are considered glossing poets who show a lot of aptitude for the impromptu verse. In this, poets continually make use of the most varied genres of creation, among the most traditional and modern. Finally, we conclude that the poetry of the Pajeú hinterland is one of the main sociocultural expressions and part of the identity of the people, who see themselves in some way represented by it.
No limiar do inefável: a relação humano-animal na poética de Orides Fontela
(2020-12-17) Beserra, Eduardo de Lima; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/9563550467648491
This work scrutinizes the relation of human-animal in the poetics of Orides Fontela. This view is taken as an initial perspective perception that human lives have always been attached to animals' lives somehow, whenever it was in a positive way or in a pernicious way. In turn literature, as one of the spirits of age, has always held into the non-human an important character as on prose as on poetry. However, until the present moment are incipient researches that dedicate themselves to the study of a human-animal relation. Given that, this research is guided by the following questions: How are the animals represented in the literary field? How is the human-animal relation in Oride’s poems and in what way may the animal be perceived in the poet’s poems? Because of this, from the hypotheses that human-animal interaction in Fontela’s poetics it’s deliberated by two inherent aspects of a human condition: the delight of existence and the desire to understand the subtleties of being. In this perspective, appreciated, as the I of the poem singularizes and seeks to understand its radicality from the existence of winged being – the bird figure. In light of this, the work enters into ecocriticism perspective –once it investigates the relation human and environment (nature) - taking as epistemological proposal and Phenomenology. For that it is landed the theoretical studies of William Rueckert (1978); Serge Moscovici (2007); Greg Garrard (2006); Jacques Derrida (2002); Jean-Paul Ronecker (1997); Gilbert Durant (2012); Merleau-Ponty (2004); Octavio Paz (2012) and in the perspectives and critics of Almeida (2008 e 2014); Ângela Maria Guida (2001); Evely Vânia Liboranari (2015); Afonso Henrique Menezes (2002), as well as it anchors in other scholars who have dedicated themselves towards the deduction of this object of this research. The present study has revealed nuances from the dialectic relation between human and non-human wavering Manicheism and allowing to cross through the threshold that puts the radicalisms of being in the counterpoint of existential.
Duas maravilhas, um mesmo encantamento: realismo maravilhoso e diálogos literários em cem anos de solidão e a jangada de pedra
(2020-12-22) Silva, Rivaldo Lima da; Gonçalves Neto, Nefatalin; http://lattes.cnpq.br/5135488225580130; http://lattes.cnpq.br/1263542396300554
The field of unusual phenomena has always been an interest and theme of literature, as well as of literary criticism concerned with responding to the various appearances of the supernatural in the narratives. Hence the multiple varieties of interpretation and categorization of the phenomenon. One of these, wonderful realism, a term first used and created by the Cuban author Alejo Carpentier in 1949, which consists of the narration of the unreal as part of everyday reality and the acceptance of the supernatural by the characters as something common, becomes a theme on which our lives revolve. discussions. For this reason, trying to understand how the wonderful realistic story is constructed within the novelistic text, this research work proposes a comparative analysis of two novels; One hundred years of solitude by the Colombian Gabriel García Márquez (1967) and the Jangada de Pedra by the Portuguese writer José Saramago (1986), because we believe that the aesthetic form as the marvelous real is built in the two narratives, using images, allegories and evoking the roots of the myths, it can be pointed out that the dialogue between the American and European continents is deeper than we thought. At the same time, we believe that the authors, when weaving the two fictional works and making use of the wonderful real, propose a critique of modern man and, at the same time, seek to dialogue with their future.