Especialização em Artes e Tecnologia (UAEADTec)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2901
Siglas das Coleções:
APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso
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9 resultados
Resultados da Pesquisa
Item Do barro à cerâmica: proposta para intervenção arte-educacional em espaços não-formais(2023-10-25) Melo, Luiz Carlos de; Lima, Felipe de Brito; http://lattes.cnpq.br/0144075272556954This research aims to develop an implementation plan for a clay modeling workshop designed to stimulate and encourage artistic expressions among children in a non-formal educational context located in the sugarcane region o the state of Pernambuco. The theoretical framework encompasses discussions on the importance of art education as an educational process, the role of art educators and social educators, as well as the use of clay and ceramics in artistic expressions. The methodological procedures involve the application of theoretical reflections and interviews with members of the local community to identify educational needs to be addressed in the developed workshop plan.The results include reflections on the individuals' testimonies and the proposal of a set of activities to be implemented on-site, which can also serve as a basis and be adapted for similar initiatives in other contexts, contributing to the work of art educators and the empowerment of minority groups in the arts, fostering critical awareness.Item Paisagens sonoras: arte, tecnologia e inclusão no ensino fundamental anos finais(2023-10-23) Silva, Karla Lidiane Costa Martins; Domingos, Ingrid Borba de Souza Pinto; http://lattes.cnpq.br/5227524047321329; http://lattes.cnpq.br/2132118082130255The present research navigates with the proposal of dialogue between Art, Technology and Inclusion applied to Elementary School Final Years, in a perspective of action that thinks of diversity in school as a territory to be recognized, respected and devoid of prejudice. In order to analyze and propose paths for an inclusive practice in the teaching of art, the theoretical framework that transits between art education, the guidelines of the National Common Curriculum Base (BNCC), technologies applied to education and the inclusion of people with disabilities (PwD) will be used. Among the methodological procedures adopted, there is the theoretical reflection combined with the practical experiment entitled Marist in Soundscapes, developed with the students 9th grade of elementary school, at the Colégio Marista São Luís, in Recife – Pernambuco. Given the intentionality of the current proposal, it is believed that the impact of its execution and materialization as an academic writing will contribute significantly to research focused on art education from an inclusive, democratic, and disruptive perspective.Item Perspectivas das metodologias de pesquisa baseada em arte nas IES – Instituições de Ensino Superior(2023-10-25) Lima, Jacineide de Morais; Oliveira, Karla Danielle Santos de; http://lattes.cnpq.br/6012395906872569; http://lattes.cnpq.br/3182890248564693This work reflects on the scope of Art-Based Research Methodologies in higher art courses. I investigate how methodologies such as IBA – Art-Based Research, PEBA – Art-Based Educational Research, IBA – Art-Based Research and also A/r/tography, among others, have managed to answer some questions such as reducing the distance between artistic production in academia and theoretical academic production. That is, how have art courses at undergraduate, master's and doctoral degrees in art received proposals for artistic works such as TCC – Course Conclusion Paper with these research methodologies? A film, a photo essay, a theatrical performance can be the TCC for several students with the same academic value as a paper, article or monograph in HEIs – Higher Education Institutions. This question also encourages me to better understand why there is still a big gap between artistic practice and its theoretical reflection, that is, artistic-pedagogical praxis in academia. Through bibliographical research of an inventory nature, called State of the Art research, during the years 2004 and 2019 in the editions of the magazine ANPED – National Association of postgraduate studies and research in education, in the Art and education working group, I began the present investigation. From there, I found very few articles that explored this novelty in terms of methodologies similar in their content and proposal and with different ways of naming such as ABER – arts-based educational research, ABR – arts-based forms of research, as well as to the other nomenclatures mentioned above, which notably have the same object of investigation with some distinctions in their specific objectives. After finding few publications on this topic, my objective became to identify why there are still so few publications on a topic so relevant to researchers in academia and, consequently, to identify how much space there is for investigations and publications when it comes to systematization. and application of Art-Based Educational Research Methodologies in different areas of knowledge in Higher Education.Item Fotografia como recorte da paisagem: o uso de dispositivos móveis para estudos de desenho de observação(2023-09-18) Lucena, Eduardo Gomes de; Bracchi, Daniela Nery; http://lattes.cnpq.br/6149456459123478; http://lattes.cnpq.br/2435416144293028This research aims to analyze the integration of mobile devices in contemporary artistic practice, investigating the use of photographs captured by smartphones in observational drawing studies. Inspired by both the transdisciplinary approach of Renaissance artists and modern technologies, this study follows students from the Technical Course in Visual Arts at the Instituto Federal de Pernambuco – Campus Olinda. Similar to how Leonardo da Vinci used the camera obscura to depict singlepoint perspective and vanishing points, the cameras of mobile devices can serve as technical aids to crop the desired landscape, in addition to recording space-time and enabling the artist to explore intricate scene details. Within the context of this case study, two Painting classes were observed during three field trips. Through paintings created in a square near the campus, the frequent use of mobile devices as tools enriching the creative process became evident. These tools provide attributes that complement human vision, including zoom, cropping, and the ability to capture specific moments. By observing this practice, the research highlights the intersection of art and technology throughout history. The adopted methodology is grounded in a qualitative approach of Participant Observation, enabling the author to experience and record students' interaction with mobile devices during artistic practice. The motivation for this analysis stems from the author's role as a technician in the Painting and Photography labs at the Instituto Federal de Pernambuco, Campus Olinda.Item A arte musical integrada às tecnologias na educação infantil em escolas da rede municipal do Recife(2019-07-22) Soares, Valdemir; Silva, Cristiane Barbosa Tosta da; http://lattes.cnpq.br/0195862765669468; http://lattes.cnpq.br/4384667543025425This research aimed to show, in kindergarten classes, in two nursery schools of the Recife municipal network, specifically in the nursery to five (V) groups, how pedagogical practices occur when musical art is integrated with technologies in the teaching process. and learning with children. In this context, they consider the materials, equipment and technological resources that contribute to the development of dynamic, creative and meaningful activities. In addition, it sought to point out the elements and situations that make it possible to emerge, to motivate the development of intelligences. Also, during the research, it was possible to observe some implications in teaching and learning that may interfere in the quality of pedagogical practices in musicalization. Thus, it followed a path that integrated technologies and education, pointing to independent and dependent technologies, the teaching of art in education, which sought to detail about pedagogical practice and school, and also about music and education, showing the process of musicalization in the school environment. Thus, understanding that working with music art integrated with technologies in their diversity can be a great ally in teaching and learning, considering their integrated and effective practices as ways to leverage perceptions, intelligences, knowledge and creativities for the child's development. , this work was justified by bringing analyzes of routines, experiences, teaching and learning practices through the integrated musical art technologies. The work had the main theoretical bases; Ana Mae Barbosa, in relation to Art in Education, Maria Auxiliadora Padilha, on Information and Communication Technologies and Maura Penna, for teaching music at school.Item A importância da formação específica na prática docente em arte/educação(2019-07-15) Rito, Luana da Silva; Torres, Niedja Ferreira dos Santos; http://lattes.cnpq.br/3501803097646190; http://lattes.cnpq.br/0353111682284066In this research, we are discussing the importance of specific training in the teaching practice of Art teachers. We are going to present the reflection about art education in Brazil, the main legislations and the internal teaching regulations of the city of Jaboatão dos Guararapes, in consonance with a case study realized at the Alice Vilar de Aquino Municipal School, located in the neighborhood of Socorro. To support us in this work we bring the contributions of Arroyo (2000), Barbosa (1975) (1991), Biasoli (1999), Ferraz & Fusari (1992) (1993), Libâneo (1991), among others dealing with Art in school education and teaching methodologies.Item A importância do ensino da arte para a alfabetização na Educação de Jovens e Adultos (EJA)(2019-08-02) Alves, José Ricardo; Machado, Josefa Alexandrina Medeiros de Oliveira; http://lattes.cnpq.br/5285590707178347This research aims to present arguments about the importance of exemption from art teaching in the Literacy of Youth and Adult Education, paying attention to its influence on the citizens' formation of students, analyzing the impacts of technologies on teaching. We will seek the description of factors that can define art as a motivational instrument, and contribute to overcoming cognitive obstacles, lack of investments in basic education infrastructure, in the formative process of training of art teachers and EJA. We emphasize that the training processes would help teachers better understand the technological impacts present in classrooms through Information and Communication Technologies (ICTs), which is already part of the daily lives of students present in our schools. We reflect from Ana Mae Barbosa's triangular approach as a fundamental methodology, allied with the Freirean dialectic as an essential basis for the teaching of Art in Youth and Adult Literacy. For we believe that it would be very helpful, in general, especially in understanding the historical context of art and its relation to culture, socio-cultural groups and their influence on popular education, which necessarily needs to be present in the teaching of art and literacy as well as in the other modules of Youth and Adult education, where contemporary art is represented within the four major fields: Visual Arts, Dance, Music and Theater. Already present in the Curriculum Parameter of Basic Education of Pernambuco (PCEB, Pernambuco 2013, p 18). Standardization that is necessary to cover literacy in the first module of Youth and Adult Education, in formal as well as in non-formal education, in the struggle for the eradication of illiteracy, dialoguing with the new segments of art and technology that has as an obstacle to lack of structure of schools, as well as teachers who are not trained in art and are not trained either through continuing education appropriate to the art discipline and within the technological axes. The research points out that, on the verge of overcoming these obstacles, a pedagogical effort is needed in favor of the self-esteem of EJA students, optimization of the use of mobile technology in the case of mobile phones, tablets and notebooks. Using these devices more directly in art with videos, photographs and other technological means linked to art, overcoming the material infrastructure issues of schools while making students aware that the school is a space for knowledge construction, and Art teaching in this pedagogical process expands the knowledge of the world expressively, cognitively, and perceptively to students in and outside the classroom.Item Artes e tecnologias na educação de jovens e adultos: práticas pedagógicas nas escolas da rede municipal do Recife(2019-07-22) Silva, Gilmere Lopes da; Silva, Cristiane Barbosa Tosta da; http://lattes.cnpq.br/0195862765669468; http://lattes.cnpq.br/8552453021644175This research aimed to understand the teaching of Art integrated to technologies in Youth and Adult Education (EJA), the experience of teaching practices of teachers in this area of schools of the Recife Municipal Network, based on the studies of Sérgio Haddad and Maria Clara Di Pierro on EJA, linking technologies to Ana Mae Barbosa's discussions on Art Teaching in the educational context and Antoni Zabala on Pedagogical Practice. For this purpose, the qualitative, descriptive and interpretative research was adopted as a methodological perspective, using as data collection instruments the conduction of semi-structured interviews, as well as the observation of classes of two teachers of this teaching modality. . Considering art as a language that manifests itself with distinct characteristics in each age and culture, as well as technologies, we understand that its appropriation by the young and adult students means the acquisition of knowledge about themselves and the world, with influence. of their own life experiences in the process of building this knowledge. Thus, we understand that, although Youth and Adult Education has made considerable advances as a field and field of study, its effectiveness is also compromised as the different contents and knowledge are distorted or even ignored and even ignored. by the teachers, as to reality, and by the institutions responsible for serving this specific public. In this sense, the results showed that the teaching and learning of art integrated with the technologies in the EJA can suffer implications depending on the socioeconomic context in which the students are inserted, the teaching experience and didactics and also on the age group of the students.Item O componente de arte no Festival Takorama: uma experiência na Rede Municipal de Caruaru-PE durante a pandemia(2023-04-24) Gouveia, Francisco de Assis; Silva, Charles Ricardo Leite da; http://lattes.cnpq.br/2664342528760612; http://lattes.cnpq.br/2383171598386051The present work aims to reflect on the experience with teaching art carried out in the first half of 2021 during the pandemic with the project entitled: O Componente de Arte no Festival Takorama, carried out at Rede Municipal de Ensino de Caruaru, with teachers and students from the Elementary School. In this direction, it will report the experience with the aforementioned project and analyze the impacts of this action with attention to the socio-philosophical principles of understanding art as knowledge; from a methodological didactic point of view with a triangular approach to teaching art; and finally, it will measure the effectiveness of the teaching and learning process in art with online classes in the evaluation of the aforementioned project carried out. From the autoethnography method, it was possible to analyze the developed experience, transcending the possibilities in the face of the conflicting scenario, for a successful experience that generated achieved objectives and learning.