02. Unidade Acadêmica de Educação a Distância e Tecnologia (UAEADTec)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2876
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128 resultados
Resultados da Pesquisa
Item Evasão escolar na educação de jovens e adultos(2019) Menezes, Luzia Cristina Felix de Lima; Pergentino, Manoel; Nanes, Giselle; http://lattes.cnpq.br/0295353071625877; http://lattes.cnpq.br/1010542665334174Item A importância da alfabetização e letramento(2019) Souza, Helena Carolynne Minervino de; Pergentino, Manoel; Nanes, Giselle; http://lattes.cnpq.br/0295353071625877; http://lattes.cnpq.br/1010542665334174Item Computação Desplugada como ferramenta de ensino para desenvolver o pensamento computacional(2019-08-12) Silva, Valeria Maria dos Santos; Diniz, Juliana Regueira Basto; http://lattes.cnpq.br/0175193064988810; http://lattes.cnpq.br/9782699041915093The topic of Computational Thinking has been discussed more openly among educators and public bodies representing education. Computational Thinking is a thought process that uses the basics of computation to solve problems. The stages of computational thinking involve abstraction, automation, and analysis. By using these stages you can find more effective and simple solutions to solve problems. It was thinking of this type of concept that the research was chosen. The unplugged activities used in the research functioned as a good teaching methodology, since the school lacked technological infrastructure such as computers and internet access. Therefore, the present study aimed to present the results of a research carried out in a primary school that was applied in a 9th grade elementary school class II. The research was intended to introduce students to Computational Thinking, through unplugged activities. The methodology used in the research is characterized as exploratory and field, from which it was possible to obtain both qualitative and quantitative data. The objectives were achieved and the results were satisfactory, once the initial goal of the research was achieved, the students understood the content addressed, and contributed their opinion, classifying the activities as fun and easy to understand.Item Licitações públicas sustentáveis em Pernambuco : uma pesquisa documental(2019-07-13) Lima Junior, José Lopes de; Souza, Eliabe Roberto de; http://lattes.cnpq.br/2080413007192218; http://lattes.cnpq.br/5247003418305457With the advent of the Federal Constitution of 1988, state financial control is evidenced; works, services, purchases and disposals are contracted through a public bidding process. Starting in 2016, the Advocacia-Geral da União, launched the "National Guide to Sustainable Procurement" with the objective of bringing legal certainty to public managers in the implementation of sustainable public tenders. The objective of this research was to investigate how bidding documents have listed the acquisition of goods and services, with sustainable principles, in the public purchases of the state of Pernambuco. The methodology used in the research was documentary analysis. A total of 40 public bidding bids belonging to 10 state and federal government institutions were analyzed. Data analysis was based on content analysis related to sustainability, social welfare, economic development and environmental preservation dimensions, with a view to obtaining frequency, panoramic evolution and identification of socio-environmental aspects in bidding events. It became clear that only federal bidding bids effectively bring at least a sustainability dimension starting in 2018. The investigation has shown that the public agencies' public announcements are stagnant and have not, since 2012, any draft socio-environmental responsibility in their content. The "preservation of the environment" dimension prevailed in 9 (nine) of the 11 (eleven) edicts in which the dimensions of sustainability occur. t is concluded that only 1 (one) institution among 10 (ten) public institutions, adopts sustainable public bids, for the acquisition of services and public goods.Item Verbo-visualidade em graffiti: (multi)letramentos em estudo com alunos do 7° ano(2019-12-20) Silva, Emilany Borges da; Rosa, Aliete Gomes Carneiro; http://lattes.cnpq.br/9765841869399460; http://lattes.cnpq.br/5792172295289510Item As múltiplas linguagens das narrativas digitais no ensino da arte(2019-08-03) Moura, Wanessa Menezes de; Rosa, Aliete Gomes Carneiro; Silva, Charles Ricardo Leite da; http://lattes.cnpq.br/2664342528760612; http://lattes.cnpq.br/9765841869399460; http://lattes.cnpq.br/8099239008020509The research aims to analyze how the different languages worked in the digital narratives can help the pedagogical practices and facilitate the learning process for the student. In this way, the project conciliates the teaching of art reflected in the use of these Information and Communication Technologies (ICTs) as a process of (re) construction of art classes stagnated by the traditional model. A analysis of verbal languages (written and spoken), sound and imagery, based on the taxonomy of Nora Paul (2007), as elements that awaken the various areas of the mind and provide an autonomous, critical and reflexive learning of the students. For that, the methodology used was the bibliographical research that proposes an analysis of works done by teachers through the use of digital narratives, referring to the methodology developed by Robin (2016) and the polysemy of narratives, by Ryan (2004) and how his process added knowledge to everyday life in art classes. and how their process added knowledge to the day to day in art classes. All of this is through Joseph Campbell's conception of hypertext by Lajolo (2013); from Benjamin's (2012) experience of telling and Kearney's (2012) self-experience. In fact, it is necessary to use innovative classes that bring pleasure to the knowledge, that instigate the student to develop strategies in the resolution of certain problems, that is, to construct meaningful learning.Item A arte musical integrada às tecnologias na educação infantil em escolas da rede municipal do Recife(2019-07-22) Soares, Valdemir; Silva, Cristiane Barbosa Tosta da; http://lattes.cnpq.br/0195862765669468; http://lattes.cnpq.br/4384667543025425This research aimed to show, in kindergarten classes, in two nursery schools of the Recife municipal network, specifically in the nursery to five (V) groups, how pedagogical practices occur when musical art is integrated with technologies in the teaching process. and learning with children. In this context, they consider the materials, equipment and technological resources that contribute to the development of dynamic, creative and meaningful activities. In addition, it sought to point out the elements and situations that make it possible to emerge, to motivate the development of intelligences. Also, during the research, it was possible to observe some implications in teaching and learning that may interfere in the quality of pedagogical practices in musicalization. Thus, it followed a path that integrated technologies and education, pointing to independent and dependent technologies, the teaching of art in education, which sought to detail about pedagogical practice and school, and also about music and education, showing the process of musicalization in the school environment. Thus, understanding that working with music art integrated with technologies in their diversity can be a great ally in teaching and learning, considering their integrated and effective practices as ways to leverage perceptions, intelligences, knowledge and creativities for the child's development. , this work was justified by bringing analyzes of routines, experiences, teaching and learning practices through the integrated musical art technologies. The work had the main theoretical bases; Ana Mae Barbosa, in relation to Art in Education, Maria Auxiliadora Padilha, on Information and Communication Technologies and Maura Penna, for teaching music at school.Item Realidade virtual auxiliando as artes visuais: aplicação na obra O quarto em Arles(2019-05-27) Santos, Tiago Ramos dos; Laurentino, Auta Luciana; Ziegelmaier, Rafael Suarez; http://lattes.cnpq.br/3113779571841568; http://lattes.cnpq.br/3805752873099282; http://lattes.cnpq.br/7192202614342067The objective of this work is to presented as a conclusion work in the Specialization in Arts and Technology of Federal University of Pernambuco (UFRPE), aims to discuss the use of Virtual Reality in works of art. In this case around the life and work of Vincent Van Gogh, Impressionist and Post-impressionist artist, who lived between the years of 1853 to 1888 in the city of Groot Zundert, Holland. This is an exploratory research with a qualitative approach. And it is divided into three phases. The first stage was carried out from a bibliographical and audiovisual research about the artist. Among his work we prioritize the piece "The room in Arles" as source of study. Then we brought information about the use and types of 3D modeling software, rendering and post-production processes, and definition and application about virtual reality. And finally, we brought the registration and application of all processes and information to create the three-dimensional environment in 360º, in order to be applied in a virtual environment. As a result, we produced a three-dimensional model of the environment in the 'Room in Arles', and consequently, a 360º image, which combined with the VR BOX glasses, simulates the user‟s sensation of immersion to this environment.Item Entre traçados de tesouras e batidas de bombo: um estudo sobre o imaginário e o ensino de artes(2019-07-26) Silva, Suelma Cristina Bernardo da; Silva, Charles Ricardo Leite da; http://lattes.cnpq.br/2664342528760612; http://lattes.cnpq.br/4581218826933251This study is an integral part of the student's imagetic and cultural imaginary archetype and becomes a facilitator in the learning process in class, but is an arts discipline. The paths traced by our history and cultural construction are more biased towards the identity structure of a people. The imaginary framework formed by these experiences has, in several dimensions, many links with sociocultural practices and as pedagogical constructions for their understanding process. Gilbert Durand's Theory of the Imaginary for one of the guiding principles of this study, because it allows us to trace the processes of understanding the imagery framework in a sensitive way, a set of contemporary and methodological processes of arts education. Guiding us through reflective development of processes of the article / education, we guide ourselves through the Triangular Approach developed and experienced by the researcher Ana Mae Barbosa, which enables an experience of the artistic experiences, as well as of the whole cultural historical process that a encircles. Seeking to elucidate and base this study, without participating in experiences in the school environment, seeking to analyze the processes of exchange of students and teachers, and the effectiveness of use of contemporary teaching processes, as well as having fun, if in doubt. proposals. The sequences have been completed together in imaginary results and contemporary practices together result in good school groups.Item O ensino de arte na EJA: uma possibilidade na educação do sistema prisional(2019-08-08) Silva, Solange Maria da; Torres, Niedja Ferreira dos Santos; http://lattes.cnpq.br/3501803097646190This research aims to demonstrate how the work was done in a school of the prison unit, whose purpose was to bring a possibility of art teaching for Youth and Adult Education (EJA), through the exhibitions of two Museums: MASP - São Paulo Assis Chateaubriand Art Museum (SP) and MAMAM - Aloisio Magalhães Modern Art Museum (PE), with the public being the students of the Penitentiary System - Recife Women's Penal Colony - CPRF. The study methodology used was based on qualitative and explanatory research based on field research. Readings and rereading of visual art works (by means of vídeos), by the students, as well as artistic productions were performed. This work contributed to the teaching and learning of reeducandas, regarding the development of their perception and reflection, acquired a new look at the visual arts and a different conception regarding museums.