TCC - Licenciatura em Artes Visuais (UAEADTec)

URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2884

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Resultados da Pesquisa

Agora exibindo 1 - 5 de 5
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    Pedagogias decoloniais e ensino de arte no Projeto Prazer, Arte Contemporânea
    (2021-09-27) Aquino, Mariama Lopes de; Torres, Niedja Ferreira dos Santos; http://lattes.cnpq.br/3501803097646190; http://lattes.cnpq.br/5576596830792862
    La presente investigación tiene como objetivo presentar procesos e impactos del método no-formal y de las pedagogías decoloniales en la enseñanza de las Artes. Apuntar otras posibilidades de metodologías a partir del pensamiento decolonial que considera legítimos otros caminos además de los validados por la ciencia y la academia. La decolonialidad utiliza conocimientos de la sociedad y de la cultura de los pueblos quilombolas, originarios y latinoamericanos y es un método intercultural que presenta saberes plurales que van desde la medicina natural hasta la literatura, saberes populares y el Arte Contemporáneo. A lo largo de los capítulos también será presentado mi relato de experiencia con la enseñanza informal a través del proyecto Prazer, Arte Contemporânea, que fue realizado con jóvenes y niños de tres comunidades de la Región Metropolitana de Recife. El proyecto tiene apoyo del Funcultura y JCPM, fue realizado en ONGs escuelas Centro Escola Mangue y en el proyecto MeMake. El Prazer, Arte Contemporânea es un cambio de saberes que intenta fomentar e instigar el conocimiento y el gusto por el Arte de manera dinámica y accesible, donde los estudiantes que, en su mayoría, nunca han tenido contacto con las artes visuales, siéntanse parte de ella. La metodología utilizada consistió en la investigación bibliográfica y los informes de la experiencia de elaboración e implementación del curso.
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    Reciclar, recriar e criar
    (2021-08-26) Silva, Leilane Jordão Pessoa da; Torres, Niedja Ferreira dos Santos; http://lattes.cnpq.br/3501803097646190; http://lattes.cnpq.br/6106009687389793
    This research aims to highlight the discussions that permeate the thought and educational practice of teaching Arts, aimed at creating works of art with recyclable materials, bringing also awareness about environmental sustainability. The theoretical references consider discussions on the exaggerated consumption of material goods that is responsible for a good part of the environmental impacts, among which we can highlight the high production of waste, bringing a reflection on how art can contribute to improve this situation. For the theoretical discussions mentioned, the theoretical contribution will be based on Barbosa, (1991; 1998), Cavinatto, (1997), Marodin and Morais (2004), Valle (1995) and Zuben (1998), among other authors. At the same time, it cites some artists who use the materiality of garbage in their artworks as examples, Vick Muniz, Jota Azevedo, VeronikaRickterová. The methodological procedure adopted consists of a semi- structured interview with the art teachers of the school where the research was carried out in order to obtain data on the methodologies used. It is expected that the results obtained and the discussions proposed from them, contribute to an awareness and changes in habits in relation to the environment, awakening the students' creativity and keen eye for and with the Visual Arts.
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    Percepções docentes acerca de projetos e atividade de produção audiovisual nas aulas de artes da educação básica
    (2021-08-27) Santos, Fábio Dênis dos; Lima, Felipe de Brito; http://lattes.cnpq.br/0144075272556954; http://lattes.cnpq.br/0450985498841766
    This research has the objective of analyzing teachers’ perceptions about audiovisual production projects and activities in Arts lessons in primary and secondary education, based on discussion of aspects related to audiovisual production projects and activities and the development of instrument for evaluation of teachers’ perceptions in context of Arts lessons in primary and secondary education. The theoretical framework addresses discussions about audiovisual production projects and activities in Arts lessons, with emphasis on the importance of teacher education, the benefits of about audiovisual production projects and activities and the teaching competencies needed for conducting these projects and activities. Methodological procedures consisted in the development and application of a survey to 30 Arts primary and secondary education teachers in the state of Pernambuco, Brazil. Data obtained point to the need for continuing education addressing the field of audiovisual production. Results and discussions present considerations for the execution of audiovisual projects in primary and secondary education Arts lessons.
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    A história e cultura afro-brasileira no componente curricular artes do ensino médio da Rede Pública Estadual da Bahia
    (2021-08-13) Ramos, André Luiz Barbosa; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045; http://lattes.cnpq.br/8514398056741164
    This research reflects on the Afro-Brazilian history and culture in the curricular component of High School Arts of the State Public Network of Bahia established by law 10.639 (2003). It aims to discuss the pedagogical possibilities of including Afro-Brazilian history and culture in the curricular component of Arts of Regular High School of the State Public Education Network of Bahia, from the verification of how the curriculum of this component is organized at this stage of basic education , as well as to identify the effectiveness of the guidelines of law 10.639(2003) contained in the official documents that regulate Regular Secondary Education in this Network. In addition to proposing pedagogical and artistic activities in an interdisciplinary way involving the theme of Afro-Brazilian history and culture in Art Education classes. The theoretical framework includes discussions about the Common National Curriculum Base (2019), the appreciation of the culture and history of Afro-Brazilian peoples as highlighted by Candau and Oliveira (2010), and Munanga (1988), artistic aspects defended by Barbosa (2016; 2017), as well as the legislative documents that regulate the subject at the national and state level. The methodological procedures adopted consist of literature review, with qualitative, descriptive, bibliographical and documentary research. The data obtained show that the Regular High School of the State Public Education Network of Bahia works the theme in an interdisciplinary way, involving mainly the Arts component, they carry out artistic and cultural projects that highlight the ethnic diversity of the peoples, in line with the assumptions contained in the laws 10.639(2003) and LDB(1996), as well as the BNCC(2019) and the Guidelines for High School and Ethnic-Racial Relations and for the Teaching of Afro-Brazilian and African History and Culture (2004) . Based on the results and discussions presented, it is considered that the Network promotes the appreciation of cultural diversity in the quest to exterminate any form of discrimination and racial prejudice.
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    Contribuições do Projeto Artes da UFRPE: uma possibilidade de integração do ensino, da pesquisa e da extensão na formação inicial de professor em artes visuais a distância.
    (2021-07-31) Patello, Vera Conceição Alves; Melo, Énery Gislayne de Sousa; http://lattes.cnpq.br/2653085378828449; http://lattes.cnpq.br/6397865588491092
    Contributions of the UFRPE Arts Project: a possibility of integrating teaching, research and extension in the initial training of professors in Visual Arts through distance education course. This document represents its main contributions to the UFRPE Arts Project in the initial training of professors in Visual Arts through distance education and aims to analyze these contributions as a possibility of integrating teaching, research and extension. The following specific objectives were also outlined: Describe the expected profile for initial training of professors in Visual Arts, which can be developed from the integration of teaching, researching and extension, identify the actions developed by the project and analyze how they contribute to this course. The study emerged from the students' experiences in an extension and research project through distance education course. In order to achieve the objective, a descriptive and exploratory. Data collection was performed using bibliographic research procedures and case study reports, which developed to be the Arts Project at UFRPE. The theoretical framework includes discussions about the history of art education in Brazil, the importance of university extension and its connection with the process of becoming a professional professor in Visual Arts. This document is arranged according with the National Curriculum Guidelines of the Undergraduate Course in Visual Arts, as well as the Distance Education Pedagogical Project of Visual Arts, and the studies of the arts’ researcher Ana Mae Barbosa. The obtained data indicates the skills and competences in the training of professors in Visual Arts, highlighting the importance of these three areas: teaching, extension and researching, and also, the actions of the project that promotes this type of training. Based on the presented discussions and its results, it can be considered that the UFRPE Arts project was of paramount importance for the student’s experiences – symbolic, social, as well as their own formation - and that the connection between theory, research and practice was extremely important in this training.