TCC - Especialização em Artes e Tecnologia (UAEADTec)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2902
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Item Arte-design aplicada à produção digital: a criação de uma campanha visual para valorização da identidade nordestina(2023-06-22) Brito, Anderson da Silva; Laurentino, Auta Luciana; http://lattes.cnpq.br/3805752873099282; http://lattes.cnpq.br/3021512671623241The present work proposes a dialogue between art and design, thus consolidating art-design. Its approach takes place in the digital field, considering aspects of identity production and recognition, here brought from media cultures. For its development, it uses the methodology in design thinking, seeking to format the artistic experimental project from stages. Initially, a field survey was carried out to understand the public's view of the cultural recognition of their regions and possibilities for artistic communication. Having done this, we produced the artistic campaign considering the northeast region and its affective and rational attributes. The results expressed bring a vision of new possibilities of communication about the theme of regionalism, appropriating aspects of art-design for the development of digital productions that can dialogue with the public and fulfill their social role towards those who consume it.Item Desenho e tecnologia: uma abordagem experimental(2019-07-27) Silva, Carlos Eduardo Galon da; Agra, Uirá Rupert Moreira Cruz e Costa; http://lattes.cnpq.br/1007832192720400; http://lattes.cnpq.br/6151872786827219This qualitative research aims to reflect on the artistic process from a cross between drawing and digital technology. An experimental approach in the atelier was elaborated: like a machine thought, incorporating the use of the computer in the moment of the creation, of the intention before the gesture. To this end, five other artists shared their actions in contemporary drawing, and from this collection, short video clips were edited. From this list of videos played in random mode, the machine's circuits determined the pace and sequence of commands for the artist to perform on the media. Seeking reflection and understanding of the issues addressed the theoretical concepts of Luigi Pareyson, Arlindo Machado, Fayga Ostrower and Edmond Couchot supported the analysis of this empirical method. Examining the procedures in this production, exploration was important in reviewing their own work strategies and driving new paths of artistic production.