TCC - Especialização em Artes e Tecnologia (UAEADTec)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2902
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Resultados da Pesquisa
Item Foto e resistência: a fotografia produzida pelo MST/BA como resposta à criminalização(2023-10-24) Pedroso, Letícia Tavares da Paixão; Lima, Morgana Gama de; http://lattes.cnpq.br/8342509136177925; http://lattes.cnpq.br/8231857707133272Bahia suffers from constant conflicts over land, which result in extensive photographic production on the subject, especially in relation to the work of the MST. This research aims to demonstrate the importance of photography in the struggle for land, especially that produced by the MST in Bahia. This objective is pursued through: bibliographical surveys on the importance of photography in image formation, surveys of the history of the MST's relationship with photography, discussion of the photographic production made by the media on the subject, conceptualization of criminalization and its relationship with the press, a survey of the photographs produced by the MST's communication in 2022 and, finally, photographic analysis. The methodology used consisted of explanatory research, i.e. bibliographical surveys were carried out on the subject, as well as image analysis, which was methodologically based on the categories present in the connoted message addressed by Barthes (1990): pose, object and photogenicity. Based on the results and discussions presented, it is considered that the photography produced by the MST has cultural and informational importance and is configured as a response to the criminalization movement carried out by the press. Self-representation thus shows the positive contribution of the MST to society through an internal vision.Item Fotografia como recorte da paisagem: o uso de dispositivos móveis para estudos de desenho de observação(2023-09-18) Lucena, Eduardo Gomes de; Bracchi, Daniela Nery; http://lattes.cnpq.br/6149456459123478; http://lattes.cnpq.br/2435416144293028This research aims to analyze the integration of mobile devices in contemporary artistic practice, investigating the use of photographs captured by smartphones in observational drawing studies. Inspired by both the transdisciplinary approach of Renaissance artists and modern technologies, this study follows students from the Technical Course in Visual Arts at the Instituto Federal de Pernambuco – Campus Olinda. Similar to how Leonardo da Vinci used the camera obscura to depict singlepoint perspective and vanishing points, the cameras of mobile devices can serve as technical aids to crop the desired landscape, in addition to recording space-time and enabling the artist to explore intricate scene details. Within the context of this case study, two Painting classes were observed during three field trips. Through paintings created in a square near the campus, the frequent use of mobile devices as tools enriching the creative process became evident. These tools provide attributes that complement human vision, including zoom, cropping, and the ability to capture specific moments. By observing this practice, the research highlights the intersection of art and technology throughout history. The adopted methodology is grounded in a qualitative approach of Participant Observation, enabling the author to experience and record students' interaction with mobile devices during artistic practice. The motivation for this analysis stems from the author's role as a technician in the Painting and Photography labs at the Instituto Federal de Pernambuco, Campus Olinda.