TCC - Especialização em Artes e Tecnologia (UAEADTec)
URI permanente para esta coleçãohttps://arandu.ufrpe.br/handle/123456789/2902
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Resultados da Pesquisa
Item A inserção dos instrumentos da acessibilidade comunicacional no cinema de Recife para pessoas com deficiência visual(2023-10-19) Arruda, Luciene Maria de; Nogueira, Amanda Mansur Custódio; http://lattes.cnpq.br/0341879306272619; http://lattes.cnpq.br/2384347512489934The present study constitutes an attempt to understand the cinema as a formative and educational tool. In this sense, we seek to understand the access of people with visual impairments if they attend movie theaters at all times and not just at festivals with accessible shows. Thinking about it, the most expressive way of visual accessibility is to describe what goes on in films, what cannot be seen; as an example of static images at the bottom of the screen; this is the most real way for these people to interact with the total narrative of the films. Within this perspective, the central objective is to identify which resources and instruments are available in cinemas and exhibitions in Recife that promote accessibility for the visually impaired public and whether this promoted accessibility is in line with the public policies of inclusion and accessibility that support this directly to people with disabilities. From this, research the objectives that propose to know when the public policies that promote accessibility in cinemas in Recife were implemented; Investigate whether there is any equipment in cinemas in Recife that promotes accessibility for people with visual impairments, making it easier to fully understand the films during their exhibition; Identify the difficulties of people with visual impairments regarding the use of accessibility equipment in movie theaters in Recife. I will start the Theoretical Framework, which dialogues with themes on: Inclusion and accessibility of people with visual impairments in cinemas (Oliveira and Vasconcelos, 2018); Public policies rights of blind people (Statute of Persons with Disabilities, 2015); Assistive technology and instruments for visually impaired people in cinemas; Audiovisual public policies for people with visual impairments (Lima, 2010; Tavares, 2019). The methodological procedures adopted are of the research type with a qualitative approach to the procedures characterized as a bibliographical research; in reference to the objectives it is classified as exploratory.Item Concepção da Cartilha - guia de acessibilidade a espaços artísticos e culturais(2023-10-20) Santos, Amanda Fabricia Sobral; Arruda, Silvanda Galvão de; Domingos, Ingrid Borba de Souza Pinto; http://lattes.cnpq.br/5227524047321329; http://lattes.cnpq.br/2162587372611292; http://lattes.cnpq.br/7588255043907799This artistic project aims to design a guidebook for accessibility to artistic and cultural spaces, covering the inherent legislation, technical standards, assistive technologies and procedures, based on their compilation, using graphic design tools to formulate the layout of the final product. (virtual) and promote access through assistive technologies. The theoretical framework included discussions about the concepts of Universal Design, as a tool that develops practices and strategies focusing on accessibility, both in physical terms and in terms of services, in the search for a path of continuous learning without barriers. In this constructive process of the artistic product, A/r/tography was used as a research methodology, harmoniously uniting experience and artistic research. Certain that the debate about accessibility does not end, we conclude that everyone's participation in the evolution of the concept of inclusion and diversity involves social maturation, the deconstruction of ableism, the empowerment of PwD as subjects capable of learning and becoming able to lead their lives autonomously, flexibly and participatively.