Bacharelado em Ciências Sociais (Sede)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/8
Siglas das Coleções:
APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso
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Resultados da Pesquisa
Item “Que a sua sede não precise só de água, nem sua fome necessite só de pão”: um olhar sobre o significado dado à arte pelos estudantes e funcionários da Escola Municipal de Arte João Pernambuco(2024-02-26) Alves, Mariana da Conceição; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/9994777527111627This paper discussed the perspective given to art and the importance of the space of the Municipal School of Art João Pernambuco from the viewpoint of the people who bring life to this school, employees, and students. Considering the school in its role as a promoter of social inclusion and democratization of arts education contributing to citizenship formation, this work was realized through the conduct of an on-site qualitative research, employing participant observation, direct observation, and interviews. Among the findings of the research, it was evident that regarding the significance given to the relationship with art and the school space by the interviewees, the therapeutic view of the artistic environment, its connection with the religious aspect, and the sensitivity to awaken in them a broader and more critical view of social reality stood out. Besides professional achievement, the realization of dreams, and the enhancement of self-esteemItem A importância da manifestação de cultura popular (a capoeira) e a perspectiva furtadiana de cultura(2022) Silva, Raphael Fernandes Xavier da; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/2822376827933592Item Cocos de roda em Igarassu: saberes, práticas e resistências presentes na cultura popular(2023-09-13) Silva, Natasha Hevelyn Oliveira da; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/1376953044534321Located in the field of cultural studies, from a sociological point of view, this research addresses the manifestation of Coco de Roda in the municipality of Igarassu. Tangenting the aspects of identity and memory, this work aims to identify which practices and knowledge of the makers of coco de roda in Igarassu that contribute to the construction of cultural identities that resist the domination of mass culture, the cultural industry and the impositions of local political power. In the theoretical framework, culture is understood as a system of symbols (Geertz, 1978) constructed through the socialization process, that is, it is about the customs, habits, codes and beliefs that are learned by the subjects from their insertion in the society. society (Laraia, 2020). Even to understand culture, it is necessary to understand it as a social and material process, so that questions related to the economy are not separated from culture, composing an inseparable totality. From this perspective, the meaning of culture is closely connected to social conflicts, political issues and the entire framework of power relations present in societies (Canclini, 1983; Williams, 2011). And popular culture as referring to the traditions, customs, uses and memories of the popular classes (Bosi, 2000), where conflict also prevails and a threshold is established between agency and structure, the structure of domination produced by a legitimizing identity and the agency produced by an identity of resistance (Castells, 1999). In this sense, we understand popular culture as tenacious and capable of resisting and building counter-hegemonic alternatives (Gramsci, 1995; Thompson, 1998). Regarding the methodology, we used the qualitative method, having symbolic interactionism as a theoretical-methodological framework. For data collection, direct and participant observation techniques and semi-structured interviews were used. As an analysis technique, content analysis was used. The research results showed that the cultural groups of coco de roda suffer from widespread devaluation by the government, but that they have been resisting and contributing to the formation of participatory, solidary and counter-hegemonic identities. Therefore, the social impact of this research lies in revealing these realities, promoting visibility for the theme and strengthening the construction of other works and public policies that value popular culture as part of the development of a human, integrated and diverse society.Item Virada afetiva e invisibilidade social: (r)existência, criatividade e potencial de desenvolvimento local no Maracatu Nação Estrela Brilhante de Igarassu/PE(2020-10-30) Maia, Tiago Macedo Bezerra; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/0108189730040447This monograph has a dual purpose. Unveiling affects and emotions that mobilize and motivate, subjectively and intersubjectively, collective practices and actions, which guide behaviors and decisions that influence public life, in the face of situations of social suffering, such as those with a lack of recognition, which cause and naturalize invisibility to be faced, and also better to show the endogenous development potential arising from creativity and resistance, typical of the manifestations of Pernambuco's popular culture. For this, in one hand and first, we sought to reflect on the role that affections and emotions assume, existentially and socially, in the subjects and in their intersubjective relations, within the social sciences, after the recent “Affective Turn”. From that point on, it entered into the understanding of the phenomena of pathologies of social suffering, as communities that are marginalized in social invisibility suffer and that are not contemplated by public policies that recognize them, in the agenda of the arena of construction of social problems, in contemporary times. On the other hand, a cultural perspective of local endogenous development was designed and articulated, focusing on the potentialities and possibilities of creativity in Pernambuco's popular culture, exemplified in this work with Maracatu Estrela Brilhante from Igarassu / PE. In order to achieve the above objectives, a qualitative research was chosen using direct observation techniques, participant observation, semi-structured interviews and bibliographic-documentary review, all of which were illuminated by the ideas of interpretive social research, in order to be able to dialogue with reality of the black community of this Maracatu Nação, its religious and celebratory sense, its tradition and the memory of its ancestry with the need and urgency of support and to them, through the demands of cultural policies that almost do not exist on the part of the local instituted power. In the analysis of the speeches of the members of this manifestation / popular culture phenomena of the characteristic of “pernambucanidade”, there is a range of affections and emotions that emerge from them and that mark the perceptions and experiences of the relationships of the people who make up the Maracatu Nação studied here and channel the collective community effort to maintain and survive this heritage of black culture of African and Afro-Brazilian origin, as well as, from the potential for creativity and resistance that opens the way for a local endogenous development, to transform this social reality that historically its participants segregate and make invisible and which imposes and exposes them, on the margins of society, the constant social suffering.Item Música canavial entre a indústria cultural e a cultura popular: Estudo sobre um fenômeno híbrido da zona da mata norte de PE(2019) Silva, Lucas Elias Arcelino; Souza, Cláudio Morais de; Oliveira, Daniel Figueiredo de; http://lattes.cnpq.br/7616338547377380; http://lattes.cnpq.br/9245887717292317; http://lattes.cnpq.br/7687052596132322This study aims to analyze a cultural phenomenon that has been developing inthe North Woods Zone, it is named as canavial music. Paraphrasing Canclini (2015), it is possible to say that today all cultures are from border. Nevertheless, a border presupposes at least two boundary territories; in this sense the theoretical limits that we set out to analyze were those ofthe Cultural Industry and Popular Culture. The methodology followed a qualitative way of ethnographic inspiration and it consisted of discreet observations of the spaces provided by the cultural scene in question, interviews with the artists that compose it and documentary analysis of sites and lyrics from the songs related to the theme. As a final result, it was concluded that the canavial music is hybrid expression which, in addition to being simply a musical rhythm, it provides socializing environments with greatcreative effervescence, and it carries itself the coexistence of contradictory elements that are capable of generating images that promote the limits of several pairs of opposition: rural x urban, massive x popular, merchandise x art, subaltern x hegemonic etc...