04. Unidade Acadêmica de Garanhuns (UAG)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/2947
Os trabalhos que compõem as coleções desta comunidade pertencem à produção científica da antiga Unidade Acadêmica de Garanhuns (UAG) da UFRPE entre os anos de 2018 e 2019.
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3 resultados
Resultados da Pesquisa
Item O uso da literatura para superação das dificuldades de leitura: uma experiência com o 3º ano do ensino fundamental(2018) Rocha, Rayane Branco de Lima; Lima, Gustavo Henrique da Silva; http://lattes.cnpq.br/5167740437126995This research has the general objective to overcome difficulties of reading the students through a systematic work with the literary text in the school. As specific objectives to diagnose the main reading difficulties of the students to develop reading skills through planned didactic action with the literary text, to identify the students' progress in reading skills and to verify the implications of the didactic action with the literary text for the formation of the reader. As a theoretical contribution, we have used some studies on the systematic teaching of reading (BRANDÃO, 2009; KOCH and ELIAS, 2012; LEAL and MELO, 2006; and SOLÉ, 2014) and literature (RITER, 2009; and COSSON, 2010 and 2014). This research was of action-research type, with a qualitative approach. In the analysis of the data we noticed that the students showed satisfactory results from the systematized application of reading with a literary text.Item O romance metaliterário em Northanger Abbey, de Jane Austen(2019-12-12) Silva, Jéssica Florentino Soares da; Silva, Monaliza Rios; http://lattes.cnpq.br/8558188707796223; http://lattes.cnpq.br/6071317351744447This monograph aims to analyze the constitution of the novel, through the categories proposed by Genette (1995) about the heterodiegetic narrator and focusing, understanding the metaliterary phenomenon present in the work Northanger Abbey (1817), by the 19th century English writer Jane Austen. This will be done through a screening of passages that indicate the presence of the metaliterary nature in the referred research object. This research is bibliographic and has as theoretical framework the authors George Luckás (2000), Terry Eagleton (2006) and Ian Watt (2010) who discuss about the formation and rise of the novel, Vasconcelos (1995, 2000, 2009, 2010) that discusses about female acting and how it influenced culturally in society and the literary genre, simultaneously. In addition, for the metaliterary analysis, we use the articles present in Professor Nilson Carvalho's project (2017) and Genilda Azerêdo's theory (2009, 2012) that discusses the characteristics inherent to Austen's style in Your works. We present initially a brief historical, socioeconomic, and cultural context that involves the genesis and some definitions of the novel literary genre and a brief biography of the author, as well as her literary style. The results of this research present some metaliterary elements present in the work in question, considering that the omniscient intruder narrator and the external focus, with the presence of devices such as paralepse, are part of the metaliterary constitution of the work. Moreover, the analyzes point to the ideals of femininity embedded in English culture through reading novels.Item O divino erótico poesia mística e erotismo - um olhar sobre o desejo em obras escolhidas das religiões de matriz Abraâmicas(2019-12-20) Mouret, Elias Gomes da Silva; Moura, Rogério Cavalcante de; http://lattes.cnpq.br/4743568827352741This research intends to take a scientific look at the desire in chosen works of the mystical-erotic of Abrahamic tradition, having as Corpus the Song of Songs and two poems by Jalaluddin Rumi and Santa Teresa de Ávila. It is configured as a dissident look at mystical-erotic poetry, with the purpose of proposing another logos of desire and a questioning of the allegorical interpretations offered by traditional hermeneutics for these works. To achieve these objectives, the research was qualitative. The theoretical path is based on Roland Barthes' approach to the Neutral and some figures that this author chose as scintillations of the Neutral. The results point to a neutralization of the separation between the physical and tangible body and the diaphanous and intangible soul in the elements of the text. They also point out to reveal that traditional hermeneutics reduce, in the desire to control the body and sexuality, the aesthetic and poetic richness of these cultural and literary productions. In this way, research becomes also a starting point for a plural look at mystical-erotic poetry, a first contact with Sufi poetry and an invitation to open up to the diversity of loving and devotional voices in a perspective of dialogue and enchantment.