Licenciatura em História (Sede)
URI permanente desta comunidadehttps://arandu.ufrpe.br/handle/123456789/22
Siglas das Coleções:
APP - Artigo Publicado em Periódico
TAE - Trabalho Apresentado em Evento
TCC - Trabalho de Conclusão de Curso
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Resultados da Pesquisa
Item Festejos e controle social: os bailes carnavalescos no Teatro de Santa Isabel (Recife, 1850 - 1855)(2023-04-28) Barros, Rayane Nathaline Dias de; Silva, Wellington Barbosa da; http://lattes.cnpq.br/1213688229016782; http://lattes.cnpq.br/7100858196009882This work arises with the purpose of analyzing the practices of nineteenth-century carnival manifestations that took place in the city of Recife, specifically within the Teatro de Santa Isabel, between the years 1850 - 1855, and how the propagation of these festivities makes it possible to understand the performance of some mechanisms of social control of the society of the time. The choice of time frame is justified by the inauguration of Teatro Santa Isabel – as a symbol of civilization for Recife society at the time, aiming to analyze the propagation of carnival balls promoted within this private space, to the detriment of Carnival manifestations. Based on the analysis of cultural manifestations, we can understand the systematization of the controlling power of the ruling class in Recife in the 19th century, as well as analyze how the instruments of communication play an important role in the construction of a civilizing ideal, which tend to marginalize the manifestations of most popular stratum of the city of Recife in the 19th century (1850 - 1855). It is in this scenario of disputes for spaces of sociability in the capital of Pernambuco, that we will investigate the attempt to build a national identity, which seeks to break with some cultural manifestations that do not meet the civilizing progress that fosters the ideals of a slave-owning elite.Item Descompassos no carnaval de rua do Recife na década de 1930: o caso do Quartel General do Frevo(2021-12-09) Barros, Gleicielly Maria Pereira de; Albuquerque, Mariana Zerbone Alves de; http://lattes.cnpq.br/8419255160811830; http://lattes.cnpq.br/3623672413182978Knowing that there is a narrative about how Carnival is a democratic party, as well as representative of a time where social segregation is not a reality, this article seeks to comprehend it as a cultural manifestation in 1930's Recife, observing the inequalities and social tensions inserted in the city's street carnival. It was necessary to understand the genesis of the party in Recife, it's development and the appearance of Frevo as a locally typical expression of carnival; while also studying it's occurrence in public spaces. Nevertheless, the conflicts that took place on Frevo Headquarters, located at Independence Square, were analysed, in a representative way as to the political scenario in the 1930's modern city. The methodology includes bibliographical revision from secondary reference fonts about Recife's carnival.