Navegando por Autor "Nascimento, Alcileide Cabral do"

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Até que a morte os separe: a violência física e os crimes passionais contra as mulheres na cidade do Recife (1915-1918)
(2019-07-05) Pereira, Kamila de Melo; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/2794485332746684
The present article aims to analyze the physical violence and crimes of passion committed against women in the city of Recife in the early years of the twentieth century through periodicals. Therefore, the research consists of an analysis about the way the news related to the subject was treated and, in addition, it is examined how the journalistic discourse dealt with such actions while it used its power of diffusion of information to make denunciations regarding behavioral patterns that no longer fit into the modernizing city.
Cabaré Chanteclair (Chantecler): as noites perfumadas de um Recife de outros tempos (1950 – 1960)
(2021-07-13) Santos, Helton Cezário dos; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/5545422434251637
The present work proposes to approach, from a certain time cut, the night activities that had as stage the Chanteclair building. Our purpose is to bring up a piece of Recife's almost forgotten history, give voices to anonymous people, let them speak, tell us their stories, tell us their memories and, from these memories, give life to the old Chanteclair building. We wanted to make explicit what was behind those windows, to let emerge to our days, part of the daily life of what was once considered one of the biggest and most renowned strongholds of prostitution in the Recife port area. It was a place of strong presence of anonymous and intellectuals who, although spontaneously, fraternized there. Bringing the Chanteclair building back to the scene, scrutinizing it, retrieving details of the functioning of the then cabaret Chantecler, a place of lights, luxury, elegance, imposing temple of glamour that for its beauty and majestic appearance enchanted even members of British royalty who passed through here. A story that enchants some, that remembers them with nostalgia, while saddening others, or better, others, that also remembers them, but with sorrow, sadness and even a certain shame of certain things lived and witnessed there. For better or for worse, the Chanteclair building, today a prisoner of an unfinished restoration process, still stirs those who travel through the busy and touristic Marquês de Olinda avenue and its surroundings, either for its magnificence and beauty, or for its history. This history has inspired us this writing and delicious research, whose objective is exactly to invite the reader to a trip to the past of the perfumed nights of a Recife of other times.
Círculos de Mulheres no Recife (2000-2021): uma nova configuração política do feminino
(2023-03-02) Bastos, Danielle Goberto; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/7499507947928613
Da moralidade à transgressão: a moda feminina na cidade do Recife entre os anos 1916 a 1920
(2021-02-24) Lima, Thays de Souza; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/3891718129870477
This work aims to analyze how the novelties present in Recife's fashion, between 1916 and 1920, are opposed to the traditional models of gender and pattern of the ideal woman, representing both a break in customs and a tool of female transgression. The choice of the time cut is justified by the novelties presented with the Casa Gondim parade, which took place in 1916, in addition to the changes in fashion in the early post-war years that preceded the so-called "golden years". For this, the methodology was composed by bibliographic research and analysis of primary sources, to identify the elements that contributed to the insertion of new practices in society. Based on this, we investigated how the spatial changes and innovations in socialization practices, as well as their influence on the importation and use of new fashion trends, represented a threat to the model of morality that governed the Recife society in the period, reflecting on the representation of the Northeastern male and the figure of the woman of good family. The theoretical reference presented throughout this work helped us in the analysis of the relationship between fashion and the symbolic construction of gender from a binary perspective. The concepts of habitus, distinction, and field in Pierre Bourdieu, contributed to the understanding of fashion as a cultural practice, perceiving its use as a device of symbolic power, to reaffirm roles and characteristics expected in the relational binary between female and male. The concept of gender developed by Joan Scott allowed us to think of the conception of femininity as a historical category, which varies according to the context and power relations of the period. In this way, the transgressions present in the feminine fashion, in the temporal cut of this research, have outlined new ways of "being a woman", showing that fashion, as a cultural practice, can be used both as a tool for body discipline and as a discourse that denaturalizes the moral and biological ideals attributed to the feminine.
De Nova Descoberta/Recife a Brasília: uma luta coletiva das mulheres pela garantia de direitos constitucionais (1975-1988)
(2024-03-23) Marinho, Caroliny dos Santos; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/8371012646053075
This article seeks to understand the participation of women from the Mulher Maravilha Group (GMM) from the neighborhood of Nova Descoberta, in the city of Recife, in the context of articulation of social movements and organizations for the National Constituent Assembly 1987-88. The documental basis is composed by oral sources and documents from the physical collection of the Group and the fruitful historiographical literature on redemocratization, social movements, urban peripheral movements, gender studies and feminist movements. Therefore, this research highlights the participation of women from the neighborhood of Nova Descoberta as active subjects in the national articulation that sought the enactment of a new Constitutional Charter that would guarantee civil, social and political rights for women.
Faces do feminismo liberal em Pernambuco e na Bahia: debates e conquistas da luta feminista (1927-1932)
(2024) Coelho, Talita Maria de Melo; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/2504393821873386
Memorial acadêmico: uma feminista das margens
(Universidade Federal Rural de Pernambuco, 2022-05-05) Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559
As mulheres na cidade do Recife: feminismo, cultura e transgressão
(EDUFRPE, 2015) Nascimento, Alcileide Cabral do; Luz, Noemia Maria Queiroz Pereira da
Representações cinematográficas: gênero em cena no ciclo do Recife (1923-1931)
(2019-07-10) Spíndola, Nataly Cristine Castro; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/7237835947715745
The present study aims to understand the gender relations and the representation of women in the cinematography productions of Cycle of Recife during the first years of 1920’s. As a source of research and analysis, we have the movies Retribuição (1925) and Aitaré da Praia (1925), and the Diário de Pernambuco and Cinearte, when investigating how the woman was recognized by society in this period and understand how the female was represented during the cycle of silent cinema. Realizing the productions display ways and periodicals used, we notice how these vehicles disseminate conservative aspects of gender relations when displaying to institutions applicants such as marriage and guardianship male although it was considered a period of change.
Transgressão e repressão às práticas sociais das mulheres negras no Recife (1890-1899)
(2023-09-09) Silva, Flaviane Soares da; Nascimento, Alcileide Cabral do; http://lattes.cnpq.br/0117492153657559; http://lattes.cnpq.br/3410730257414704
This article aims to analyze the control over the honor and morality of poor and Black women in the city of Recife during the 1890s. By examining three habeas corpus cases and excerpts from widely circulated newspapers such as “Diario de Pernambuco” and “Jornal do Recife”, we intend to access the everyday experiences and social conflicts experienced by the subjects under investigation. This study seeks to address both young women who, along with their families, sought to restore their honor in the courts of justice and to explore deviations in the behavior of women seen as immoral, as they departed from the prescribed model of femininity. Through this analysis, we aim to understand that both groups of subjects felt the societal pressures on their bodies, significantly impacting their lived experiences