Navegando por Autor "Sousa, João Morais de"

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Cocos de roda em Igarassu: saberes, práticas e resistências presentes na cultura popular
(2023-09-13) Silva, Natasha Hevelyn Oliveira da; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/1376953044534321
Located in the field of cultural studies, from a sociological point of view, this research addresses the manifestation of Coco de Roda in the municipality of Igarassu. Tangenting the aspects of identity and memory, this work aims to identify which practices and knowledge of the makers of coco de roda in Igarassu that contribute to the construction of cultural identities that resist the domination of mass culture, the cultural industry and the impositions of local political power. In the theoretical framework, culture is understood as a system of symbols (Geertz, 1978) constructed through the socialization process, that is, it is about the customs, habits, codes and beliefs that are learned by the subjects from their insertion in the society. society (Laraia, 2020). Even to understand culture, it is necessary to understand it as a social and material process, so that questions related to the economy are not separated from culture, composing an inseparable totality. From this perspective, the meaning of culture is closely connected to social conflicts, political issues and the entire framework of power relations present in societies (Canclini, 1983; Williams, 2011). And popular culture as referring to the traditions, customs, uses and memories of the popular classes (Bosi, 2000), where conflict also prevails and a threshold is established between agency and structure, the structure of domination produced by a legitimizing identity and the agency produced by an identity of resistance (Castells, 1999). In this sense, we understand popular culture as tenacious and capable of resisting and building counter-hegemonic alternatives (Gramsci, 1995; Thompson, 1998). Regarding the methodology, we used the qualitative method, having symbolic interactionism as a theoretical-methodological framework. For data collection, direct and participant observation techniques and semi-structured interviews were used. As an analysis technique, content analysis was used. The research results showed that the cultural groups of coco de roda suffer from widespread devaluation by the government, but that they have been resisting and contributing to the formation of participatory, solidary and counter-hegemonic identities. Therefore, the social impact of this research lies in revealing these realities, promoting visibility for the theme and strengthening the construction of other works and public policies that value popular culture as part of the development of a human, integrated and diverse society.
Democracia, Governança e Participação: resumos [da] 7ª Semana de Ciências Sociais da UFRPE
(UFRPE; EDUFRPE, 2017) Zarzar, Andrea Lorena Butto; Sousa, João Morais de; Benzaquen, Júlia Figueredo
“Do rio ao concreto”: uma análise dos desafios enfrentados no pós-ocupação das famílias do habitacional Naná Vasconcelos no bairro Linha do Tiro
(2021-07-22) Pires, Francine Albuquerque; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/1175643994619379
The main purpose of this paper was to comprehend the changes and challenges faced by the residents of the Naná Vasconcelos Housing Project after their occupation in the scope of the Programa de Aceleração do Crescimento (PAC). For the development of the study, it was done a quick approach about the urbanization process in Brazil showing how it is led by socioeconomic inequality and how the path of housing policies is marked by the growth of the house deficit, pushing to the outskirts, especially in big metropolitans’ centers, the low-income population. In this sense it was shown that the expansion of Recife’s urban structure caused many hazardous settlements, and that the PAC Beberibe was a strategy to solve this housing deficit. As results, the study has shown that it happened many improvements in the living conditions of the resettled people, like the decrease of the risks of sanitary problems and floods, common in their previous dwellings, as well as the lack of regular garbage collection and recreational areas. Nevertheless, this new way of life has generated dissatisfactions due to difficulties to adapt, for instance, the sharing of the communal areas, the house configuration and by the difficulties to afford the costs of this new living, like high electricity bill. And, further, the juridical insecurity related to the property documentation. The effectiveness of the actions of the State will help residents to feel like they belong and safe about their new home.
A importância da manifestação de cultura popular (a capoeira) e a perspectiva furtadiana de cultura
(2022) Silva, Raphael Fernandes Xavier da; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/2822376827933592
Memorial da trajetória acadêmica
(Universidade Federal Rural de Pernambuco, 2023) Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; Pontes, Carlos Antonio Alves; http://lattes.cnpq.br/7537108574739529; Siepierski, Paulo Donizéti; http://lattes.cnpq.br/0202829707210477; Almeida, Dulce Maria Filgueira de; http://lattes.cnpq.br/6855246979033159; Caniello, Márcio de Matos; http://lattes.cnpq.br/5638765647804887
O paradigma da indústria cosmética no século XXI: o homem um novo mercado
(2024-09-30) Barbosa, Rafaela de Souza; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/4333220150655629
This monograph aimed to analyze the influence of the cosmetics industry on men. In essence, it addresses a dynamic study that precisely delimits the compelling viability of the aesthetic standard adopted by the male public today. In view of this, the participation of the media, especially social networks and digital influencers, partnerships with the cosmetics industry, in the launch of products and effective conquest of this public are visible. In addition, it has a representative study on the behavior of men in ancient times and their relationship with the aspect of beauty, considering its importance and influence at the time. In short, it presents a presentation of research data on the acceptance and adherence of men in the world of beauty, with reference to cosmetics. The objectivity of this study is quite representative and aims at the interpretation of informative and comparative data, in addition to the investigation of men's behavior in relation to the cosmetics sector. This monograph has a bibliographic, qualitative, descriptive and informative study, through research in digital books, articles and educational websites. Therefore, it is clear that the cosmetics industry has definitely won over the male audience and has been launching more and more products aimed at them, whose acceptance is quite representative.
Os Princípios Yogyakarta na igualdade de gênero das pessoas LGBTQIAP+ e seu impacto no Brasil
(2023-09-19) Prazeres, Paulo Joviniano Álvares dos; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/8219143137437690
This work aims to analyze the Yogyakarta Principles and their historical context, contextualizing them within the global panorama of human rights and the struggle for gender equality and sexual diversity, aiming to understand how they were applied and received by Brazilian legislation, observing the challenges , advances and obstacles found in the incorporation of these principles in public policies, legislation and social practices. That's because the Yogyakarta Principles are more than a mere document; they represent a commitment to building a fairer and more inclusive society. Theresearch demonstrates that the application of these principles has been constant in the latest decisions of the Brazilian judiciary, as well as contributing to the realization of egalitarian public policies, however, there is still much to be advanced and conquered by the LGBTQIAP+ community.
“Que a sua sede não precise só de água, nem sua fome necessite só de pão”: um olhar sobre o significado dado à arte pelos estudantes e funcionários da Escola Municipal de Arte João Pernambuco
(2024-02-26) Alves, Mariana da Conceição; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/9994777527111627
This paper discussed the perspective given to art and the importance of the space of the Municipal School of Art João Pernambuco from the viewpoint of the people who bring life to this school, employees, and students. Considering the school in its role as a promoter of social inclusion and democratization of arts education contributing to citizenship formation, this work was realized through the conduct of an on-site qualitative research, employing participant observation, direct observation, and interviews. Among the findings of the research, it was evident that regarding the significance given to the relationship with art and the school space by the interviewees, the therapeutic view of the artistic environment, its connection with the religious aspect, and the sensitivity to awaken in them a broader and more critical view of social reality stood out. Besides professional achievement, the realization of dreams, and the enhancement of self-esteem
Trabalho na pandemia: um estudo sobre a uberização entre entregadores de fast-food em um grande shopping center de Recife
(2021-03-12) Silva, Thiago Valença de Siqueira Travassos da; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/5160889025090687
Trabalho voluntário: a importância do voluntário no hospital de câncer de Pernambuco
(2019-12-20) Guimarães, Elza Luzitânia de Moraes; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/4513524181221117
The present study addressed the volunteer work at the Hospital de Cancer de Pernambuco (HCP) seeking to understand the importance of volunteering for the development of services and treatments offered by the Hospital. Here, we define voluntary work under Law 9.608 / 1998 as an unpaid activity, provided by an individual to a public entity of any kind, or to a nonprofit private institution that has civic, cultural, educational, scientific purposes. , recreational or social work, including mutuality. Thus, the volunteer acts in a free, disinterested and responsible manner, committing himself, according to his abilities and in his free time, to develop volunteer actions. In the specific case of the Hospital de Cancer de Pernambuco, volunteering works in various sectors of the hospital, especially in welcoming patients. The research proposed here sought, as in a case study, to know the impressions and opinions of patients, their families, volunteers and hospital staff about the importance of volunteer work and their contribution to the services offered by HCP. Therefore, the instruments used for data collection were semi-structured interviews and observation. Among the findings, we can highlight that the work of volunteers in HCP is considered of fundamental importance for the full development of services and treatments offered to patients, family members and the general public.
(Trans) Formação no cinema: imagens do universo transexual segundo o público e os realizadores do 6º Recifest
(2021-07-22) Araujo, Janderlan Alexandre de; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/6796170010488852
The main objective of this work was to discuss which images the audience and the directors of the 6th Recifest interviewed made of the transsexual universe shown in the movies and how they discussed about the importance of festivals and audiovisual shows for the strengthening of cultural diversity and the deconstruction of prejudices regarding the trans population. The relevance of the study is in contributing to the awakening of a critical sense in confronting discrimination and stereotypes towards minorities, specifically the trans public. The research was qualitative in nature, exploratory, descriptive, and had seven subjects interviewed. For the development of the research, an approach was made about the transsexual universe, pointing out the challenges for speaking spaces and visibility in the cinema. Then a quick description was made, presenting the city of Recife as a space of different cinemas and festivals, such as Recifest. Then came the results: first, a detailed account of trans visibility in a dialogue circle. Second, the perception of the public and directors of the 6th Recifest about the images of the trans universe shown in the movies was shown. Thus, the perception described was that of a prejudiced and distorted vision concerning the characters and the trans universe portrayed in the movies and on TV. However, they pointed out that this reality has been changing as from the context of struggles for respect and for rights, following the example of movements such as the LGBTQIAP+. According to the people interviewed, positive results are appearing and recent productions about the trans universe are being more careful. As overcoming this context, they affirmed the need for struggle, resistance, training, study, experience, and respect for freedoms and democracy. Also the need to fight for citizenship and social inclusion, making the coexistence with the transsexual population part of the everyday life of people in a plural and respectful way.
Virada afetiva e invisibilidade social: (r)existência, criatividade e potencial de desenvolvimento local no Maracatu Nação Estrela Brilhante de Igarassu/PE
(2020-10-30) Maia, Tiago Macedo Bezerra; Sousa, João Morais de; http://lattes.cnpq.br/9057718684364301; http://lattes.cnpq.br/0108189730040447
This monograph has a dual purpose. Unveiling affects and emotions that mobilize and motivate, subjectively and intersubjectively, collective practices and actions, which guide behaviors and decisions that influence public life, in the face of situations of social suffering, such as those with a lack of recognition, which cause and naturalize invisibility to be faced, and also better to show the endogenous development potential arising from creativity and resistance, typical of the manifestations of Pernambuco's popular culture. For this, in one hand and first, we sought to reflect on the role that affections and emotions assume, existentially and socially, in the subjects and in their intersubjective relations, within the social sciences, after the recent “Affective Turn”. From that point on, it entered into the understanding of the phenomena of pathologies of social suffering, as communities that are marginalized in social invisibility suffer and that are not contemplated by public policies that recognize them, in the agenda of the arena of construction of social problems, in contemporary times. On the other hand, a cultural perspective of local endogenous development was designed and articulated, focusing on the potentialities and possibilities of creativity in Pernambuco's popular culture, exemplified in this work with Maracatu Estrela Brilhante from Igarassu / PE. In order to achieve the above objectives, a qualitative research was chosen using direct observation techniques, participant observation, semi-structured interviews and bibliographic-documentary review, all of which were illuminated by the ideas of interpretive social research, in order to be able to dialogue with reality of the black community of this Maracatu Nação, its religious and celebratory sense, its tradition and the memory of its ancestry with the need and urgency of support and to them, through the demands of cultural policies that almost do not exist on the part of the local instituted power. In the analysis of the speeches of the members of this manifestation / popular culture phenomena of the characteristic of “pernambucanidade”, there is a range of affections and emotions that emerge from them and that mark the perceptions and experiences of the relationships of the people who make up the Maracatu Nação studied here and channel the collective community effort to maintain and survive this heritage of black culture of African and Afro-Brazilian origin, as well as, from the potential for creativity and resistance that opens the way for a local endogenous development, to transform this social reality that historically its participants segregate and make invisible and which imposes and exposes them, on the margins of society, the constant social suffering.