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Vozes poéticas do pajeú: estudo da obra de alguns poetas da região do Pajeú sob a ótica da criação
(2021-03-01) Sousa, Cícero Ângelo Antas de; Almeida, Maria do Socorro Pereira de; http://lattes.cnpq.br/3185435491287172; http://lattes.cnpq.br/0456226302887988
The aim of this study was to draw a panorama of the current poetic scenario in the Pajeú region, in the face of the process of creating this literature and the so-called poetic voices of the new generation. Through this research work, seeks to understand the specifics behind this popular poetics, presenting the perspective of the creation process of some poets in the region. As a methodological part of the study, we discuss based on theoretical assumptions of several authors, poets and literary critics, such as: Arantes (1998), Bosi (1977), Candido (2006), Paz (1982), Ribas (2000), Santchuk (2009), Santos (2017), Silva (1988), Tavares (2005) and among others, issues related to the poetry creation process, the act of creating itself and the internal and external factors that go through such a manifestation. In this sense, issues related to contextual, geographical and historical factors of the region itself and of poetry in general were also discussed. Thus, we present a journey in terms of the origins of popular poetics to the contemporary scene. From a research route, we selected four cities in Pajeú and tried to bring a poet / representative from each one, they are: Afogados da Ingazeira, São José do Egito, Tabira and Serra Talhada. In the assessment, we found that the poetry of the authors studied is full of specificities, ranging from aesthetic factors, to the creative personality of each one. In addition to the perspective common to all who are the backwoods roots, who give Pajeú's poetry traces of uniqueness and identity. Factors such as inspiration, perceptions and technique are extremely important elements for popular poetics, so, as evidenced, poets tend to take them into account in the act of creation. It is also worth mentioning the value of many vates to the factor of inspiration, in addition to poetic freedom and the diversity of such works, whose mix of sentimentality and social role are present in the meshes of the texts. As a result of this study, we realized that the poetry Pajeuzeira reveals poets of various facets, which combine both the written process and the oral process of poetry. Many are considered glossing poets who show a lot of aptitude for the impromptu verse. In this, poets continually make use of the most varied genres of creation, among the most traditional and modern. Finally, we conclude that the poetry of the Pajeú hinterland is one of the main sociocultural expressions and part of the identity of the people, who see themselves in some way represented by it.