Navegando por Autor "Pinto, Janille da Costa"
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Item A cultura indígena Tupinambá de Olivença no currículo do componente Arte do Ensino Fundamental I da rede municipal de Ilhéus-BA(2021-08-13) Pinheiro, Josenice Santos Souza; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045This research aims to analyze the presence of the arts of indigenous peoples in municipal schools in the city of Ilhéus, as we understand that through art education we can preserve the memory and maintain access to the culture of the Tupinambás peoples of Olivença/Ba. Thus, our specific objectives are to reflect on the need to value the art, culture and history of indigenous peoples in the Ilheense elementary school curriculum. Identifying the inclusion of the indigenous theme in the guiding documents of Ilheense education, as well as presenting how we can work with the law 11,645 (2008) in the teaching of Art in elementary school I. For that, the theoretical framework includes discussions about the curriculum of the Art component in public schools Ilheense, having as theoretical support authors such as: AGUIAR (2000); BARBOSA (1995, 2010: 10); DUARTE JR (2000), CHAUÍ (2014), among others. The methodological procedures adopted are based on qualitative, descriptive, bibliographical and documentary research. The data obtained indicate that the Municipality of Ilhéus has a legislative, normative and regulatory contribution that guide school units to work the Tupinambá de Olivença indigenous culture in the curriculum of the Art component of elementary school I. Based on the results and discussions presented, we consider it satisfactory the guidelines and pedagogical proposals that Educação Ilheense adopts to disseminate, value and preserve the art, culture and history of the indigenous peoples who were the first inhabitants of this locality and contributed to its development.Item O ensino de Artes Visuais para uma Educação das relações étnico - raciais no Fundamental II nas escolas públicas municipais de Ilhéus-Bahia(2021-08-13) Anjos, Eliete Silva dos; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045; http://lattes.cnpq.br/8484648364536984This research addresses the need for teaching Visual Arts to achieve an Education of ethnic-racial relations, aims to analyze how Education for ethnic-racial relations is being implemented in the Art Curriculum Component classes, offered in Elementary School II in public schools in the municipal network of Ilhéus - BA. The theoretical framework included discussions about laws 10.639 (2003) and 11.645 (2008), which changed the Law of Guidelines and Base for National Education (LDB) No. 9394 (1996) and Ana Mae Barbosa's Triangular Proposal. The methodological steps used in the research are of a qualitative, descriptive, bibliographical and documentary approach, where we carry out a literature review in articles and books by authors who discuss the proposal of Education for ethnic-racial relations in art classes. Thus, the data indicate that the present municipality promotes a pedagogical proposal that enables Education for ethnic-racial relations in the Art Curriculum Component, as seen in the Curriculum Matrix, in the Pedagogical Diary of Final Years, in the Reference Curriculum Document, in the Organic Law and in the Municipal Education Plan (PME). We found that Education for ethnic-racial relations in the Art Curriculum Component is being offered in Elementary School II in Cycles 4 and 5 and in their corresponding phases I and II in public schools in the Municipality of Ilhéus - Ba, implemented the prerogatives of laws 10.639 (2003) and 11,645 (2008).Item A história e cultura afro-brasileira no componente curricular artes do ensino médio da Rede Pública Estadual da Bahia(2021-08-13) Ramos, André Luiz Barbosa; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045; http://lattes.cnpq.br/8514398056741164This research reflects on the Afro-Brazilian history and culture in the curricular component of High School Arts of the State Public Network of Bahia established by law 10.639 (2003). It aims to discuss the pedagogical possibilities of including Afro-Brazilian history and culture in the curricular component of Arts of Regular High School of the State Public Education Network of Bahia, from the verification of how the curriculum of this component is organized at this stage of basic education , as well as to identify the effectiveness of the guidelines of law 10.639(2003) contained in the official documents that regulate Regular Secondary Education in this Network. In addition to proposing pedagogical and artistic activities in an interdisciplinary way involving the theme of Afro-Brazilian history and culture in Art Education classes. The theoretical framework includes discussions about the Common National Curriculum Base (2019), the appreciation of the culture and history of Afro-Brazilian peoples as highlighted by Candau and Oliveira (2010), and Munanga (1988), artistic aspects defended by Barbosa (2016; 2017), as well as the legislative documents that regulate the subject at the national and state level. The methodological procedures adopted consist of literature review, with qualitative, descriptive, bibliographical and documentary research. The data obtained show that the Regular High School of the State Public Education Network of Bahia works the theme in an interdisciplinary way, involving mainly the Arts component, they carry out artistic and cultural projects that highlight the ethnic diversity of the peoples, in line with the assumptions contained in the laws 10.639(2003) and LDB(1996), as well as the BNCC(2019) and the Guidelines for High School and Ethnic-Racial Relations and for the Teaching of Afro-Brazilian and African History and Culture (2004) . Based on the results and discussions presented, it is considered that the Network promotes the appreciation of cultural diversity in the quest to exterminate any form of discrimination and racial prejudice.Item Lei 10.639/2003: O ensino da cultura Africana e Afro-brasileira e a formação de professores/as para o ensino da Arte(2023-12-11) Amorim, Juliana Santos; Bispo, Imara Queiroz; Pinto, Janille da Costa; http://lattes.cnpq.br/3170771425776045; http://lattes.cnpq.br/8114349519066694A cultura africana, bem como, a Arte de matriz africana, influenciaram diretamente na formação do povo brasileiro. Desta forma, a pesquisa tem como objetivo, proporcionar aos docentes do ensino fundamental –anos finais, oficinas de formação da arte visual afro-brasileira enfatizando a necessidade de reflexão a luz da Lei 10.639/2003.O referencial teórico contemplou discussões acerca da Arte Africana e afro-brasileira, relações étnicas raciais, formação de professores para as artes afro centradas sob concepções teóricas de Munanga (2015), Nascimento (2009), Barbosa (2002) entre outros. Os procedimentos metodológicos adotados pautaram-se sob a perspectiva de uma pesquisa ação, onde a partir de uma intervenção pedagógica foi possível investigar os conhecimentos e a prática que os/as docentes da instituição possuem sobre a arte afro-brasileira. Desta forma, foram realizado instrumentos como observação de aula nos aspectos teóricos e práticos. Os dados obtidos indicam que a formação de professores e professoras é fundamental para o cumprimento da lei 10.639/2003, visto que assim como a sociedade a formação dos docentes é abundante na perspectiva colonialista e com isso fortalecendo o racismo nos espaços escolares. A partir dos resultados e discussões apresentadas, considera-se muito importante a formação de professores/as para o ensino das relações étnico-raciais em todas as perspectivas, e não somente com a arte.
